Saturday, September 25, 2010

Miss When Getting High Meant Swinging




Yesterday on the news I heard in Cuba are struggling to be considered a World Heritage site of the most unique in the world: The reader of tobacco. As know the manufacture of snuff in this country is remarkable. Beyond ethical considerations on the snuff, it seemed curious picture: While workers made the most famous cigars in the world, a man devoted to read all kinds of readings, including some high level. I offer an article that tells the story of this curious work. This is really encouraging reading.



tobacco Readers (Ciro Bianchi Ross)


A man reads while their classmates work. It does so loudly and thereby leads leisure time and instruction to those who, without looking and focused on what they do, are applied to the delicate leaf and snuff dark twisting his hands to form the band then become a smoker aroma. If they liked what they heard, those tobacco, at the end of the day, in approval, beat in unison with wooden pins covers their work tables, and throw the floor these curved blades, ideal for cutting and rolling sheet, if what they heard convinced them or not seemed inappropriate. Snuff
If the Cubans are the best in the world in its high quality and sophisticated influences, beyond doubt, the art of cigar reader that makes the print to tobacco sheet passion of what you hear. Only then, says the poet Miguel Barnet, the great pleasure of life is to smoke becomes supreme ecstasy.
is an original work, although only sister with what the readers chosen despalillo and the other phases of the development process of the twisting. Not repeated in other productive sectors. Cuban is one hundred per cent since its inception. An institution. There seems to be distant the date on which a proposal of Cuba, Unesco declared the tobacco task reader Intangible Heritage of Humanity.
not always tobacco reader took them all along. The man who read to their peers first appeared in 1865, the factory tobacco El Figaro, and was quick to gain the animosity and distrust of employers and English colonial authorities. Of the former, because a worker exploited best ignorant. Of the latter because they feared that the ideals of independence, take root and be consolidated with those readings.
The fact is that he was deprived first reader to follow in his barely six months after the first reading. By 1880, however, reappeared readers and consolidated a few years after the entry to the Isle of anarchist propaganda. But in 1896, began as the War of Independence, disappear again. Many tobacconists had moved to South Florida and Cuban cigar in Tampa and Key West were invaluable support of the Revolution. With his keys had applauded the speeches of José Martí, while readers of his podium place were perennial patriotic harangue and exhortation. There
readers throughout that period threatened and beaten and the reading was muzzled and censored it, as would also for the Republic, the owners of the cigar factories always tried and succeeded at times, exert control over what they read to their workers. What do you read? Soon the works of José María Carretero, who used the pseudonym of The Bold Caballero, gave way to more complex texts by authors such as Zola, Hugo, Balzac, Cervantes ... Carlos Loveira among Cuban writers, enjoyed the most preferred. Dumas and Shakespeare carried the palms, and such was the acceptance that enjoyed that characters created by them, like the Count of Montecristo and Romeo y Julieta, gave their names to famous brands of cigars.
also be read daily newspapers. Specialized readers had to do, while others were insurmountable as it related to narratives. When one of them was able to take to master both sides, was called complete player and was the most coveted. Because the square were removed from the competition. Tobacco themselves summoned the contest and turned into court chose that convinced them.
until well into the 1960's, we know, were themselves tobacco who reciprocated his salary to the reader. First, when the reader was one of themselves, each one made a greater number of cigars that belonged to him and the reader could prove compliance with the pattern of their working day. That system changed over the years and when readers began to be chosen by competition, each cigar contributed a modest amount of fortnightly cash to cleave the salary. Today
those readings are widened with a long list of Latin American and Cuban writers. There is tobacco that can repeat from memory whole chapters important classical and modern works. On hearing these books have been eaten, as the Bible says, they became blood. Readings at the same time delight and instruct and broaden the world, and ended up turning the cigar in one of the most advanced sectors of the Cuban labor movement.

Thursday, September 23, 2010

Negative Affects Of Boxing Bags

Do not know where to vote ..?



But you know, click on the link below. And ready.


De nothing!

Monday, September 20, 2010

Wedding Dance For Warband

Last days of King Lear, in Arequipa.


"At birth we cry because we went into this vast insane asylum." King Lear, William Shakespeare.
14 and October 15, are the last days of seeing this magnificent work of Shakespeare, staged by University Theatre (TEUNSA) of the Universidad Nacional de San Agustín.
worth the trip to the white city of Arequipa, to enjoy the genius of Shakespeare, and the magnificent staging of the Director of TEUNSA: Professor Luis Alvarez Oquendo. And, their happy reunion with the classics.

Friday, September 17, 2010

Oregon Gay Cruising Spots

PLAYERS WELCOME!

Hello everyone. No more "cow" and start a new course. We come back from being world champions. Learn from the heroes and begin to win the new course and face with the same spirit as the challenges that brings. The Library is looking forward to start new adventures. May the force be with you

Monday, September 13, 2010

Best Pokemon Source For Cydia

Books: The Adventure of Food.


"Today, as I do not believe in the innocent simplicity of eating. I remain convinced that this act commits the individual in a complex adventure, sometimes contradictory, in which intertwined, they face a real "melee" different realities. First the objective body or organ that meets daily work "machine." Then the dream body, born of desire, intimate phantasmagoria of each where of course, the unconscious has its place. And finally, the body set up, erected by culture, social conventions, with their laws and prohibitions.

I still always believed that from these encounters forced, created a real dialogue between the eater and the world. A kind of privileged language and symbolic The Adventure of Food conceptually analyzed, based on fundamental texts drawn from philosophy, literature, psychoanalysis, etc.., Alternating with no concern for hierarchy and is based more on intuition than on the claim to reveal the mysteries of the body you eat.

(...) But what contributes mainly to the timeliness of this work is the fact that the body has become one of the most important issues in our society, if not obsession.

body has never worried much. Rather than all lust, but also our obligation. Now he, too, is consumed widely. It has become a commodity bought with broadcasting values \u200b\u200bin the market for the appearance ...

ethics body turned tyrant, compulsive, increasingly pushing the relationship we have with our own image.

The food is also part of this constraint. Thinking about the food, if society queen seems more than a necessity. It is a requirement.

(..) Eating can become a metaphor, take the form of a message to decrypt. As if the relationship with the food found there a chance, the only possible, of a confession. The pretext to express the inexpressible. The zero degree of writing the soul. "

( Noëlle Chatelet, in: The Adventure of Food , rain Publishers, 2001)

Wednesday, September 8, 2010

Respiration Of Mammal And Reptile In 10 Degrees

Invitation: Carlos Ostolaza Retrospective Show.



The painter Carlos Alberto Ostolaza, miembr0 generation of the legendary 70 ', Zero Hour. is one of the painters whose style emphasizes the mastery of drawing the human figure.
Ostolaza
Carlos Alberto Ramirez, a graduate of the National School of Fine Arts, specializing in painting in 1971. From that date until the present has participated in numerous group exhibitions and solo shows, both Peru and abroad.

His themes and style, influences and damiración shown by the great masters: Goya and Picasso, mainly. And among the painters and Latin America: The Mexican master José Luis Cuevas, with whom he shared his concern about the human condition. Views, through a focus between dreams and surreal. And among the national artists, admiration for the work of Victor Humareda. Expressionism and whose dramatic use of color is evident in his work. Whose personal touch and a certain amount of poetry, not without tenderness, make his work memorable.
Exhibitions held:
1999. Praxis Gallery, Mexico, Venezuela and Colombia.
1984. Gallery Mont Vermont, USA
1974. Rowin Bell Gallery, Detroit, USA
Artistic Promotion Center, Ecuador.
1972. ICPNA, Cuzco.
Alliance Française, Trujillo. Municipal Gallery
Pancho Fierro.
1969. Congress, Lima.
has also participated in group shows in Lima, USA Ecuador. And in the Biennial of Mexico and Quito.

This time, Ricardo Palma University and the Embassy of the Dominican Republic, join forces to present a retrospective exhibition of his work, whose name is called Carnival for two figures.

will be opened, on: Friday, 10 September 2010

Within hours: 7.00 pm.

In: The Visual Arts Gallery Ccori CC Wasi (Av. Arequipa 5198, Miraflores).
See more at:
1. Http://solnegro.blogspot.com
2.http: / / elgatodescalzo.wordpress.com (Interview).

Tuesday, September 7, 2010

Wording For 35 Birthday Invitation

Shalala




With a rubber check lost the style, gloves
enough to hang a whistle.
But rumors that I was not a sellout, I crowned
now, I'm blessed.
When you're on the mat, no one is with you,
six feet under is just forgotten.
Jaime Lopez, "Knock"

A. Aphorisms for discussion in Twitter-from solipsism, with Aleks Syntek


I. Does the vacuum (the letter of Jaime Lopez) is able to fill the void (Calderon speech)?

II. Enter the mystique of the celebration is repeated, without analysis, the verses of Jaime Lopez.

III. And analyze the handwriting is automatically out of the discussion (or cancel your Twitter account.)

IV. The historical debate at the time of PAN has been expanded dramatically to reach 140 characters.

V. Historical Amnesia: almost no one remembers when Francisco González Bocanegra abandoned Twitter for criticisms received their stanzas devoted to Santa Anna and Iturbide.

VI. As the past is so limited, it is best to celebrate the future, it is also ancient.

VII. If Mexicans sing a thousand times "Shalalalalalá" holding hands, patriotic spirit shown by the horizon (Calderón dixit).



B. I sang only the exquisite score by Aleks Syntek, with lyrics by Jaime López


From the beginning it was known that the main problem of the Bicentennial would be the lack of content, as the PAN is the enemy positions movements must honor. Neither the sovereignty and independence, and social justice are issues that concern you get, much less celebrate. Hence, political causes have been ignored, in hopes that no remember them "to devote to celebrate a birthday. And repeats and repeats the message: it's your birthday, 1810 is the date of birth of all the stereotypes of nationality. Although our reasons of national pride were born much later, as the mariachi, the national anthem, flag, machismo, the inferiority complex ...

I imagine that as a birthday present, Secretary of Education announced the song ancient The future is composed of Aleks Syntek and Jaime Lopez. The adverse comments certainly plenty left in the unrest to the musical taste of the authorities. Critics, as usual, have been talking to themselves. Authorities have made loud The future is ancient and not have left without closing the door, then, have denied that this song is the official anthem of the celebrations. The next step is to deny that someone has requested. May end up being an example of "spontaneous generation of patriotism." Alonso Lujambio

partygoers in the mood for their commitment to future generations. But no personal interest, as is clear from their statements. The SEP has invited several artists to collaborate in the festivities, made in any way objectionable, since the State, on the other hand, has that obligation. This is not the place to criticize the National Anthem Santana nor murals commissioned by the PRI. So there is no censorship because Syntek and Lopez have made a song for the Bicentennial Calderon. I imagine that there is still an article that guarantees freedom of expression (and the authors stand behind their work), and not into verse the official ideology. Preferably not mention Zapata or Villa, as ugly rhyme (rope, buckle) and unedifying. Before leaving Twitter for a while, shared some thoughts Aleks Syntek (as has been articulated about the celebrations):


"I tell them that as a child my father took me to hear orchestral music composers Mexican extraordinary, Revueltas, Galindo, and my favorite Huízar Moncayo. So I decided to opt for the huapango as the main influence on this subject but with a little touch to be updated.

"What Shalalala why? (Sic) just because we needed a generic, this matter will be heard in many countries that are English speaking. The shalala is universal and is very typical of Mexican folk music themes."


Yes, "Shalala" is the leitmotif of Mexican music (now comes to mind Shalala, singing to kill a snake , Silvestre Revueltas) and anyone who has received privileged musical education immediately notice the symphonic tradition of the future is ancient. But beyond the petty remarks against a work that seeks only to celebrate (in this context, "party" is to evade the historical significance of the Bicentennial), should be just what remains a blind spot: the most important is that nobody will notice that the main interest of the government machinery-suitor is "honors the Independence and the Revolution just because they are defeated. If not, we would have run as far as possible, away from the demands were unfurled two hundred and one hundred years. " In

Calderon would face this sense, and the profound historian Lujambio Villalpando. The surface is not frivolous, is a thick layer that obscures the reality: for frivolity means the interest of the cabinet take relaxation to not listen to the voices that continue to call for justice and defend the sovereignty, words are not even invited to the banquet - it went on the banquet (Rosario Castellanos).