Monday, December 14, 2009

Smelling Womans Nylon Feet

The lack of sense of humor


fear that the lack of sense of humor spread between the reactionary literature. I read the book, María Teresa Gómez Mont, Manuel Gómez Morin (1915-1939) (FCE, 2008) with high expectations, but only made me laugh on three occasions. Three times in a thousand pages is something adjacent to despair. It's something that should not be allowed ideologues such as the unintentional humor is the best and most effective way of spreading his ideas. That the entire book is summarized in six pages ("The personal baggage of Manuel Gómez Morin, pp. 764-769) is a bad joke. But only three times is achieved frank laughter makes one suspect in the decline of PAN prose. On page 86, where it is said that General Salvador Alvarado was accused of Bolshevik Bolshevik reports that a note is "synonymous with Russian used in Mexico with a contemptuous tone." On page 575, the Tecos, pride of the modern right wing, a symbol of defense to the "communism" Streets are considered a group "needed at the time" defense of the Autonomous University of Guadalajara, the glorious 1935, that "freedom" and "fascism" were synonymous. And finally, on page 883 states that Gómez Morin defended private property "so that the farmer owns the land they cultivated (that end and not another!). Gomez Morin considered as the executor of the ideals of Zapata is a good joke, but not worth the trouble to read the previous 882 pages.

Sunday, December 13, 2009

Luna Lovegoods Lion Hat

Songs and records in Mexico, 1900-1940 (Notes without music)


The recorded sound came to Mexico from the late nineteenth century. In some families gatherings are porfiriato first heard the phonograph cylinders, although they were more a technological curiosity than a pleasure. Some voices enshrined in European opera had already recorded his voice in the famous creation of Thomas Alva Edison, as Enrico Caruso and Adelina Patti, among many others. For those years that had the legend Patti faced voice in a duel with Mexican singer Angela Peralta. The Italian tried to impress the "Mexican Nightingale" with a demonstration of virtuosity, and at the end of his performance he said defiantly: "It is sung in Italian!" The Peralta, then responded with his extraordinary singing voice, and at the end added : "It is sung in Mexico!" Verdi, who was in the theater that night, he rose from his chair and exclaimed: "It is sung in the glory!"

since 1877, when the American inventor had given learn how to record and play sound, created great expectations for the possibilities of this invention. "In the future," said the writer Amado Nervo, "when cars fly through the air, have made a phonograph, and every day there will be a cylinder with fresh news."

Don Porfirio Diaz was still a country and a reputation to boast. And companies Disk recording became interested in artists from Mexico. First came the French and brand Zonophone, perhaps in 1905, who installed a recording studio in Mexico City. A year later came the Americans with Columbia Records brand. Both seals phonograph began fighting Mexican artists. Zonophone was to stages of the operetta and asked the singer to record a couplet fashion that everyone knew, "The white cat." It was thus that only 15 years old artist named Maria Conesa recorded his first song. He was so young and it was the fascination of all capital. Porfirio Diaz used up go see it with his wife, Mrs. Carmelita Romero Rubio. What was this girl that captivated political, military and students alike? The chronicler Luis G. Urbina went to see her and wrote: "His figure is graceful, her face is not beautiful, the voice is sloppy and nasty, but the entire face of all movements, whole body dripping malice this woman has poise greased with cynicism. Until the Lord's Prayer said and recited so we seem to indecent assault. "

discs of that era were made of hard plastic and heavy, spinning at 78 revolutions per minute and last up to three minutes, but had only recorded one side of the disc. So just one year later, Columbia Records announced its "double disc" because they had discovered how music press on both sides. Shortly afterwards, also arrived in Mexico the Victor brand. (Edison also had his record company, but they turned at 82 revolutions per minute. For the inventor of the phonograph sang Mexican artists as José Mojica, Maria Grever and Margarita Cueto.)

In these discs recorded between 1905 and 1910 are heard, addition, pieces of zarzuela, danzones recorded by military bands and even the waltz "Over the Waves" by Juventino Rosas, among other songs. Even the poet Juan de Dios Peza their poems recorded on a disk. There were two duets fashion on the streets of Mexico, Rosales-Robinson and Abrego-Picazo. Who were they? Nobody knows, but these duets singing popular songs for markets and town squares. Interestingly, Rosales discs and Robinson came to Argentina and a young man named Carlos Gardel in Buenos Aires heard. That this duet was inspired by her singing tanguista the future. For its part, the duet Abrego and Picazo, recorded for Victor in 1905 the first bolero that information is received in our country, Sorrows, the tailor made Cuban Pepe Sanchez and saying "give me your kisses Sorrows, deep pain you doubt me ... "

Porfiriato The composers were in a deep economic vulnerability. Many of them lived in poverty and it was very difficult that publishers pay royalties for public performances, sales of sheet music and, above all, sound recordings. Generally, the playwrights had a more steady income. Among the poorest composers of his time, we remind the Abundio Hidalgo Martínez, author of waltzes and paso dobles chotis very famous in his time. But what has survived of him is his melancholy under a popular song, "La barca de oro" 'I I'm going to the port where the boat is gold ... "

Abundio Martinez was born in 1875 at Huichapan, Hidalgo, son of a poor marriage. He came to the capital to seek a better life than that of his people and soon found work as a musician Sappers Banda. Shortly after his compositions were already popular. His waltz, "Offshore" which he dedicated to the wife of Porfirio Diaz liked it so much that their editors printed the Wagner House in Germany. It is said that once the capital came to a band of German music and the musicians began playing "On the high seas." Abundio Martinez was so happy he went to celebrate a bar ... He was so poor that, without doubt, a pleasure as it filled him with joy.

is also said that the residents of the neighborhood took turns feeding. One morning in 1914, when the child who used to take his breakfast, he met the composer died in his room. "All their furniture," wrote the teacher John S. Garrido, "was a table, a chair, a cot with a draw for a luxury mattress and baby grand piano that he had given away their music publishers." And that piano legs tied was a chick who Abundio Martinez wanted too much and lovingly fed because he thought he lived in Verdi's soul. La Casa Wagner took over the funeral of one of its best writers: Abundio Martinez, who was called "The Dog" because of his ugliness. Perhaps to cover up a little, the teacher used to appear on the covers of his music together with their most beautiful girls.

When the Revolution came and fired Diaz of Mexico in the vessel Ipiranga, record companies also fled. Maria Conesa, however, remained, and all the revolutionaries came to see her in the capital. Madero danced with her and later, Zapata. In theaters magazine represented the facts of the revolution but also sang songs, because had time for everything. Fernando Velásquez Méndez musician released his song "Guadalajara Eyes" with lyrics by playwright Joseph F. Elizondo. Both were the most celebrated authors of that era. "Eyes Guadalajara" enjoyed since its opening day today, and although released a tenor named José Limón, everyone remembers the interpretation of Jorge Negrete.

But the song was inspired during the revolution that has transcended not only time but the borders of our country is "Estrellita" by Manuel M. Ponce. Unfortunately for him, his song "Estrellita" is better known their concerts for guitar and violin. But as academic Tarsicio Herrera says, hardly anyone knows that the world-renowned guitarist Andres Segovia was based on Ponce hundred works composed for guitar. And Carlos Chávez, perhaps a little envious, even said that "the only thing that touches our works are universally Ponce guitar."

It is certainly too much fame for a single song. And most likely, he felt himself well Ponce. In 1925 he decided to go with his wife to France to escape the popularity of "Estrellita." No one imagined that at the airport in Paris was to be recognized by one of his admirers, who told him: "Welcome to France, Monsieur Estrellita." Shortly after the marriage attended a concert violinist Jasha Heifetz. Ponce also imagined that the end of the concert, Heifetz said, "Now I'm going to play my favorite piece is a miniature Wagnerian drama called 'Little Star'." Ponce turned to watch his wife and all he said resignedly, "But even in Paris, I will rest for 'Little Star'?" No, not in Paris or anywhere else in the world, everywhere Ponce had met with surprise to hear that song that conceived one night when traveling to visit their Parents, as the composer told a reporter:
"One night I was traveling light to Aguascalientes, the land of my family, I noticed that a big star I looked through my window of the train. Its light flickered gently from afar. Then I began to dream. If a bride enlighten me with eyes that bright, but sweet ... and my dreams fertilized. So it would seem that music was in love with my dreams. Then began to take shape in my imagination, a melody that rose with nostalgic obsession as if to climb to the stars. "

There is no doubt that political life was at a different rate of artistic life. While the policy was in conflict followed by another conflict, many people wanted to go to the operetta, theater and opera. The great success of 1919, when Carranza was still in power, was the trip to Mexico's most famous tenor of all time, that is, Enrico Caruso. The former bullfight of the Colonia Condesa (which was where today stands the Palacio de Hierro Durango Street) was filled with fans who had heard his albums Victor house and had read the praise in the press all I dedicated the world. They say that his voice was so powerful that, in those years when there were no microphones, was heard by people who do not had reached a ticket and was out of bullfighting. Caruso traveled to Mexico, he met the composers and many of them composed pieces designed for her voice. Even invited him to put the foundation stone of the first cinema in our country, the Olympia, on the street September 16. As a way to thank Mexico, when Caruso traveled to New York, recorded a English-Mexican song, "Night happy." Many people hoped that Caruso returned to Mexico, but unfortunately the great Italian tenor died just two years later, a victim of pleurisy.

can say that was the first artist to become popular thanks to the records, because it has won several million dollars from the 260 songs he recorded. It was also noted that the first song that was made to be recorded was "Mattinata" and was written by the famous Italian composer Ruggiero Leoncavallo. Caruso recorded it in 1904. Earlier, in 1902, had recorded "Vesti la giubba" from the opera Pagliacci by the same author, with such good fortune was the first album in history to sell one million copies. Represented Caruso Canio, the play's protagonist, director of a theater company dying of jealousy "Columbine." The famous aria "Ridi, Pagliacci" is the time when Canio sings despite his personal drama, "because the show must go on."

Mexican composers also thought the role should continue. The country had great political conflict, but the theater was mocking review of it. When it came to power Adolfo de la Huerta, the theater opened the magazine Adolfo garden. In this work was first sang the song that was emblematic of the joy of the 20's, "My dear Captain" of the "Dead" Jose Alfonso Palacios. Why did you read as the composer of this famous fox trot? José Antonio music critic Alcaraz met him and asked him this question. "Because actually, I died once ... and revived in the middle of my wake, only to see my wife in the arms of another man," replied the Dead Palacios.

What happiness should have provided the revue theater, with its beautiful dancers, festive songs and exceptional comic. From 1920 began the popularity of the fox trot, Charleston, rumba and tango. The sopranos, ie the dancers in the theater, choirs were popular songs in a voice so acute that even today has been the name of "squeaky" to those intemperate voices. Lupe Rivas Cacho Celia Celia Montalvan and Padilla, among others, were the darling of the public that would see under any circumstances. When the authorities closed the theater for the moral failures or because of political commentary, the public cooperate to pay the fine, as long as continue to see how their favorite actresses danced Charleston. But how did this rate to Mexico? One story goes that the night of November 5, 1925, were Lupe Velez, Celia Montalbán and Lupe Rivas Cacho in the dance academy "Metropolitan Hall" which was located on the street May 5, 1921. That night, Alfred Molina, a dancer who called All Moll, taught them the steps the new dance he had learned in the United States. Such was the emotion that Lupe Velez gave the next day, the actress released the Charleston in Mexico during his performance at the Lyric Theatre.

The 20's were a period musical greatly. Since the concerts of the Chapultepec Mexican orchestras organized by José Vasconcelos, to the development of industries of radio and the phonograph in our country, composers and performers in the hundreds. Since 1921, radio was born in a professional manner, first with the pioneering broadcasts in Monterrey Târnava Constantine (which helped Don Clemente Serna Martinez in his youth) and later with stations such as La Casa de la Radio in which they participated Celia Montalbán, Manuel M. Ponce. A technology fair in 1923, announced the creation of the first season in the form of Mexico, it was the XEB owned cigarette factory El Buen Tono, which began broadcasting this year. At the fair, began to make public demonstrations of this new medium. President Alvaro Obregon spoke through the microphone, becoming the first president of our country to do so. Attendees gave them soft drinks brand "Radio" and the people who take a few packs of cigarettes El Buen Tono were presented with a crystal set. Since that time, Mexicans were given the task of listening to radio in these devices did not need electricity, because the gallery is a stone that captures the virtues electromagnetic frequency radio waves. So with a piece of galena, placed inside a small metal tube, you could tune in stations from all possible sites. There were then radio-telephone clubs in which members met to tune in American music stations. But from the XEB began to listen to local artists. Unfortunately, it was customary to pay the artists, so that all who passed through the B, as Pedro Vargas, Trio Garnica Ascencio, Agustín Lara and Maruca Perez, out of the cabins with a compact or cigarette case that regaled the station.

Soon, U.S. phonograph companies realized that Mexico was a country with an enormous wealth of art. Then, they sent talent scouts to find composers and singers to bring to the United States. They discovered Alfonso Ortiz Tirado, Juan Arvizu, Margarita Cueto, Agustín Lara, the Trio Garnica Ascencio, Tito Guizar, Mario Talavera and Augie Cardenas, among many others. To find out how important was the Latin music market, consider that it was more larger than that of English music in the United States itself. Mexican artists were hired in Mexico and traveled to Veracruz by train from there out to sea on a ship made a stopover in Cuba, after arriving in New Orleans, and finally, a car took them to New York, where matrices were marks Columbia, Victor and Brunswick. In New York is composed songs like "Amapola" by English composer José María Lacalle, "Goodbye, cute brunette" other English, Henry Burrow, and "Those green eyes" of the Cuban Nilo Menendez and Adolfo Utrera, among many other songs. Also remember that Augie's brief career was spent in New York Cárdenas between 1928 and 1931. The composer and singer Mario Talavera wrote that in the late 20, one song took between one and two years become popular in the country, because as there was no radio, a song had to be selected by the record labels, to be included in repertoire. After recording, the array is sent to the U.S. and arrived about six months later. Began the arduous distribution throughout the country, which could last up to one year. So it was when the composer of the song began to hear the fruits of his inspiration. Not to think of the royalties, it was way back, it took years!

The representative of the Victor in Mexico was the impresario Emilio Azcarraga Vidaurreta Tamaulipas, who sold radios at your local Mexico City. He realized that he was selling equipment for music, but ... there was nothing to listen to them, since there was a significant lack of supply on the dial. To this end, he launched his project of founding the XEW, the first season of continental scope. After testing the speakers and musicians, the W was born on September 18, 1930 in the upper film Olympia, whose first stone was placed Enrico Caruso. How important was this station letters arriving from Micronesia as well as the Antarctic, to say that since there were listening? Rightly stated that it was a parallel Ministry of Education, which taught the feelings of the Mexican bolero and soap operas. It was a very close relationship that lead listeners with programming that even the villains of the series worried that recognize your voice. "He had a history of that in Chile, the audience had killed a bad soap opera, when recognized in the street," said the actress Rita King in an interview. For these reasons, Emilio Azcarraga went on to say: "I invented the housewife Mexican. "

How did the recording industry was born in Mexico? In 1927 the company came to City Brunswick English with recording equipment and a punch disks. In an Anglican church that exists today in the streets of Article 123, was recorded the first album also maquiladoras in Mexico. On one side is heard "lily wand" Pardavé Joaquin, played by Juan Arvizu, and the other, "Canción Mixteca" in the voice of Mario Talavera. The orchestra that accompanies both interpretations is that of Alfonso Esparza Oteo, author of "My Old Love" and "Rondalla", among many others. Who I would tell the teacher Esparza Oteo than just a year later, was to perform with his orchestra in a meal at the restaurant La Bombilla, the fateful July 17, 1928, at a luncheon for Members of Guanajuato offered to General Alvaro Obregon President-elect for the period 1928-1932. When the orchestra played the song "Limoncito, a shy law student named Jose Leon Toral Obregón shot and killed him with an accurate shot.

That same year, Edward C. Baptista, a Colombian-born engineer, he released four record labels: Artex, National, and Olympia Huici. These discs, almost inconseguibles today are the first examples of the Mexican recording industry. Hardly had a circulation of 300 copies, and their rarity and fragility is that almost no copies survive today. These markings recorded Tito Guizar, the trio Garnica Ascencio, Augie Cardenas and Posadas Jazz Band, among others. In 1930, Baptista decided to merge these brands into one: Peerless. The company, which lasted until 2003, was the driving force behind artists such as Agustin Lara, sisters Eagle Manolita Arriola, Miguel Aceves Mejía, Pedro Infante, among many others. Thanks to the Peerless, other companies saw again the desirability of returning to Mexico: Victor returned home to our country in 1935, and it decided to launch discs Pedro Vargas, the sisters Black Eagle and Galindo, a popular actress. For its part, the Columbia, a little more reluctant to settle in Mexico, it did until 1947, since that year released the album containing "Taste of deception" with Eva Garza. Subsequently, the Columbia supported the songwriter and singer Mary Alma and Tin Tan, among others.This music boom in Mexico could not have existed without the great communication that has existed with other countries. Dr. Alfonso Ortiz Tirado traveled to South America in 1936 and liked it so much thanks to this tour, they opened the doors to all artists of our country. After this singer will visit Brazil, Argentina, Colombia, Chile, Venezuela and Paraguay, among others, Pedro Vargas was able to travel to Brazil and Agustin Lara. But in the same way, the rates of other countries came here to Mexico and became a new personality. This happened with the danzon, the joint, the bolero, the cueca, the fox trot, tango, cha cha cha and blues. In Cuba, for example, speaks of a bolero before and after Agustín Lara. The composer Osvaldo Farres, author of "Come closer," made his songs the way of Mexican boleros, rather than following the traditional way that had Maria Teresa Vera and Ernesto Lecuona.

The great composers of America came to Mexico to present his songs. As in 1933, when Lecuona visited our country to be with his interpreter Rita Montaner. The long awaited visit to the Mexican public is asked to Rita confronted with Tona la Negra. Although not exactly a clash over two weeks, the public was devoted to discussion: Who is better, Tona or Rita? Lecuona "or Lara? Today, we no longer see that rivalry and think they're both extraordinary composers, but above all very different. Once he returned to Cuba, Lecuona discovered a new artist named Esther Borja. Was so enthusiastic voice he dedicated one of his best songs, which he wrote lyrics Gonzalo Sánchez Galarraga, it is the waltz "Damsel charming." How did this friendship that gave birth to the beautiful song Lecuona? Hear the testimony of Esther Borja: "In the high of my house had a radio station where I started as an amateur. In the midst of student strikes against [the dictator Gerardo] Machado, and about to graduate, decided to work on the station. There I met Elisa, the sister of Lecuona. At another station, the CMCA, I met a son of Ernestina Lecuona. All were sympathetic to what I did and always told me: 'If you hear Ernestina' but nobody will know. I decided then to go by myself. Lecuona was at that time in Spain. Upon his return, he also listened. I suggested to study singing and even recommended the teacher, which I accepted immediately. Thus began a friendship that lasted until his death. One day I brought a gift of songs with lyrics by Marti had been thinking about me. The were released on February 26, 1935 in Society The Lyceum. That was the first time I sang with him, as I say, really. I set out to do theater. After not hesitate, but to consult with my mom, I said yes. It was then that he composed for me 'Damsel charming ', a piece that premiered on September 13, 1935, when I consider my debut in the theater. Was that also the beginning of an extensive tour, for 'those worlds of God ": across South America, except Bolivia, and the United States and Europe."

should not forget the role played by Mexican cinema in those years. To take just one example, think of the movie Ay Jalisco, no give in! (1941) by Joseilito Rodríguez. Arguably, the role of Jorge Negrete in the mariachi band was a real institution. Enrique Serna says the writer who just ten years earlier, the history books of Mexican music did not even mention the mariachi. But just enough voices Lucha Reyes and Jorge Negrete to ranchera music a phenomenon. When the movie was released, he spent six months in theaters in Argentina. Miguel Bermejo, Calaveras Trio, which toured South America, said that people were milling around to see the history of the Gun. I must say that the script was based on a true story, to tell the story of Remington, a bandit who had caused panic around Atotonilco. The music of Ay Jalisco, no give in! was entrusted to Manuel Esperon, who managed the mariachi sound like a symphony orchestra, and the letters were the work of Ernesto Cortazar. The issue of film was sung by Lucha Reyes, while Negrete sang "I bring love," but oddly enough, George became famous the song "Ay Jalisco, no get angry", while Fight immortalized "I bring a love", the song which leads Negrete Gloria Marin's beautiful serenade. Although George and Gloria did not get along at first, this work did they both fall in love. So Jorge once told the director, Joselito Rodriguez: "What I appreciate most about this movie is giving me the opportunity to meet Gloria Marin."

Friday, December 4, 2009

Slight Case Of Genetal Warts

miracle, like the lottery (to begin to lay the cards)


As the jack girl, Patria mine
in metal floor, live daily
miracle, like the lottery.

Ramon Lopez Velarde (1888-1921)

- Gentlemen, the bets are closed!, Will throw the cards!

And all in suspense, with the seeds of beans in his hands. And on the sides of the fair, cockfights, fireworks, the cotton candy and water chia. The joy of the moles and Celaya cajetas scratch to the end and know of resin and children, as the poet said. Everywhere lit the fire of the lottery, but the haunt of the capital city of the nineteenth century was St. Augustine bet de las Cuevas (ie Tlalpan), where he frequently saw Antonio Lopez de Santa Anna, big fan of cockfighting.
-Bello
body, pretty face, when you go to ... I do not understand the reasons ... the heart!

"Be good, cuatito, if you do not take the coloradito ... the devil!

-Cotorro, gives paw and empiézame here to discuss the work that you spent when you could not speak ... the parrot!

"The belly was that she had no qualms ... watermelon watermelon!

Harriet The boy was very fond of the cha ... microscope ... The boat!

drawings lottery letters from afar. What do these cards in the brushwood, that sort of arrow that formerly used the Arabs? Do not you feel something only the nineteenth-century dandy between the mermaid and the drunkard, between the cap and the moon? The scholar Guido Gómez de Silva assumed that this word comes from the habit that had the French seamstresses at age 25 were not married, to celebrate Catherine of Alexandria, 25 November. Sainte-Catherine is the patron saint of seamstresses and unmarried, and therefore the sewers were put a hit "to the Sainte-Catherine" (as "Catherine" is pronounced "dandy" and hence was used to designate both dealing with fashion and their arrangement). Of course there are more images nearby such as the nopal, the skull, the pot and the spider. But some like the mandolin, a kind of mandolin strings, 6 triples, they evoke the Porfiriato.

"Put your hat on the baby, we are not going to get sick ... the cap!

"You broke the presumed sock ... the dandy dandy!

"The moon is blind in one eye and sister of the two ... the moon!

-El negrito de La Habana, who took your sister ... the black!

-Upon seeing the green frog, which jumped hit your sister! ... Frog! Both baby

-mason, which was like the barrel ... the barrel!

-diver, sea when you go out, get me a mermaid with seaweed ... the mermaid!

generally around the place had more people playing it because it was fun to win than listening to the screaming. As the stakes increased, the owner of the lottery was saying the letters faster. But the most difficult moment was reached when he threw the cards without a word, but that only made allusions: "The one who sang at St. Peter!", "Aráñamelo if you can!", "The fight for women!"

In Pedro Páramo, Juan Rulfo said that the show was like a halo over the gray sky. And far away from people only hear the cries of drunkards and the lottery: "The lady, the flag!, Hand!" Until some lucky, that was not distracted and that was getting Quickly beans on the board, shouting excitedly

- Lottery!

said that the images of the lottery come from far away, dragging some of the tarot and the zodiac medieval and luck. Of Fortuna, standing on a wheel, in which the man sometimes goes up and sometimes down. Renaissance poets said that the only law of fortune was that he had no laws. It seems that the first to be delivered to the lottery game, putting coins illustrated on flat, were the Italians of the Renaissance (in which we also used the tarot, with signs that possibly inspired the lottery, death, devil, the star, moon, sun, the world). It was the Italians who made the lottery an institution run by the government to carry out "Waqf" (although, later, King Louis XIV was a draw lottery to pay for their wedding in 1665). It was an Italian philosopher Antonio Gramsci, who called the lottery, "the opium of misery." According to the English José María Valverde, to the Italians, choose the lottery numbers has always been an art, many receive revelations of the Dead, inspired by objects that are randomly on the street and, most importantly, dreams. In an Italian newspaper that the mare gave birth to a carriage suddenly because the driver had not noticed his state. The newspaper terminated the news saying: "The incident has caused large number of plays the lottery."

When Ramon López Velarde received from the Secretary of Public Education José Vasconcelos, the invitation to make a poem to celebrate the centenary of the Consummation of Independence (September 27, 1821), planned a great poem to talk about his close relationship with Mexico. The parrots flying over the sky like green lightning, large expanses of meadows where the tram is so small it looks like a toy gift, the landscape under the sun so lush it looks like the crown prince of France, the smell of bakery on the wet streets emptied. Each image of "soft country" explains the poet's love for his country staff. In his images it is possible to realize the dazzling by riches of the country, forests and timber, arable land on which it rains caudally. All the wealth of Mexico, the times of collection and extraction of silver (in two senses: it is extracted in Mexico and the English extracted here), large tracts of corn, the agricultural economy (the barn that we deeded the child God.) "La suave patria" is a paean to wealth, even the Devil has also put oil on our behalf (since the devil is opposed to expropriation and has continued to haunt the oil reform.)

Perhaps one of the aspects that most intrigued López Velarde was the flowering of poverty in the midst of wealth: poor Mexicans in the midst of oil, livestock, agriculture, crops and trade. In the midst of planning and work, it has seemed that the Mexican cult of the miracle and chance. The poet was no stranger to life uncertain, and therefore compared with thunder, falling on the ground as if playing at roulette, "and hear in the jump of your coming and going, / oh thunder Roulette my life. " With its metal floor under the floor because Mexico is mainly gold, silver, lead, zinc and copper, Mexico is experiencing a day, betting its heritage: "As the sota girl. " Juan Jose Arreola reports that the girl Jack is the letter that should come first, "if you bet on it, either of gold, cups, swords or wands ..." This fun game is to compromise the national heritage today several generations, is still playing with Mexican joy, and thanks to this custom continue to live by a miracle, like the lottery. About

miracle as a way of life, is worth reading a paragraph of the French writer Rémy de Gourmont:

"Nothing is more expected than unexpected that basically nothing will surprise us less. What strikes us above all is the logical development of the facts. Man is in perpetual expectation of a miracle, and even angry if this does not happen, which is discouraged. But the miracle happens often. The humble lives are nothing more than a series of miracles, or rather of chance. It will say that there is truly random and that this word not only confirms our ignorance of the chain of causes. But being indecipherable this chain for our spirit, we call random at all events, even giving our utmost attention, we could not discern their arrival. Form, occur, but we do not know or can know. And it's good that we can not. Action is irrelevant, because life is only an act of confidence in ourselves and in the benevolence of fate. "

In New Spain it was said that the lottery was" the most moderate of the games of chance "because it's a view of the authority. Francisco Xavier de Sarria, a English late eighteenth century, convinced King Carlos III to decree an institution to promote the Royal Lottery, which succeeded in 1769, becoming its first director. Shortly after the drawings were made with English orphans the College of San Ildefonso, who chanted the winning numbers to view. The first "loud" Diego López was called and was 5 when he worked in the first draw.

Since then, players have wondered how many chances are of winning the lottery. On this we have written books and books with extensive statistical theories give results with for years, as many authors believe that the lottery tends to "compensate" the numbers that come out less. But as they say those familiar with the statistic: "The lottery has no memory." The mathematician Émile Borel that he devoted himself to studying the games of chance, in his book and life chances, says many people refuse to buy a ticket with numbers arranged in a special way, such as 272727 and, a fortiori, the 222222 . Although the probability that this number is the same for all numbers, people will say: "It is completely impossible for someone to win a prize with the number 222222." Then that person searches for results, sees him out on 475632 or 235902 and think that common sense was not fooled and did well not to buy it the 222222 and 489542, which also came out the winner.

According to his calculations, Borel said that a series of one million tickets, there are 10 formed by equal numbers. If you organize 25 draws a year, the probability that one of them is once every 4000 years. That is, either a lottery ticket (if the lottery played a million notes) is likely to leave every 40 thousand years. However, so whoever does not believe in miracles believe in the lottery. Because something is miraculous not have to work. In the future, and many intimate live lottery hopes. In 1843, the Mexican writer José Gómez de la Cortina (1799-1860) described the thoughts that surround the word "lottery" in a text in which he argued that the government continue to promote the lottery, for because of the country's problems This institution had been neglected:

"Lottery! ... Oh! The magic word! Lovely word! ... The lottery! ... and who does not say anything! The fortunes of any son of Adam, bóbilis bóbilis acquired without plowing, or knitting, or tweak tape behind a counter, or go to China to sell opium, or doing anything else to buy, for the modest price of four dollars, twenty thousand a warrant, payable to bearer, and lie to the paunch, waiting for the day of the draw! ... Oh ... Now that's invention wise, useful and philanthropic ... And No one has happened to erect a statue or pedestrian or any kind to the inventor ... certainly deserved it more than other heroes, we see perched around on pedestals and horses, because he found the means, not only to provide the poor mortals the greatest illusions and hopes more promising than the human heart can conceive, but then keep them in ceaseless. "

Who would tell the Cortina count of all and the studies of Dr. Emile Borel against, a year later would win a lottery prize of 50 thousand pesos! Because in spite of statistical studies, the only certainty is that every week there is a winner who lie to their fate, the millions of chances against him. Guadalupe Loaeza

to us in this book a Mexican lottery; of Mexicans who favored luck, they decided his life as a game of chance, who secured their glory with a single book or a single song, to which we owe the colors and the music of Mexican art, to that became the iconic face of Mexican cinema, which have been heroes and villains who have been to those who have experienced a real miracle. All are exceptional characters whose lives undeniably lucky presented with thousands of faces. With poets, politicians, composers, actresses, gallants, journalists and singers who parade through these pages, you could do a lottery game that would symbolize the wealth and the miracle it means to live in Mexico.
September 14, 2009

(Foreword to the book of Mexican and lottery of Guadalupe Loaeza, Ediciones B, 2009)

Friday, October 30, 2009

When To Take Sleep Eze

killed others ... (on Pedro Requena Legarreta and Dead Poets Society)


On the right, home of Pedro Requena Legarreta

Gaudí to my friend Christian, who died at age 24 on April 4, 2009


I laughed Dead, skins touched, loved, kissed her lips, slept, woke, the admiration of troubled for a moment . And then her life stopped suddenly as to give the image of perfection. As if the river of life, frozen Suddenly, keep the illusion of life. And the moment of happiness would freeze within a drop of amber to be contemplated. Then, it operates an investment that makes us alive; incomplete. Life is still not resolved in us, has not led anywhere. And the dead, since its completion, we look, perfect.

And then there are those dead who fought valiantly and now gives us a nice history lesson, and who went to war to confront his fate and fight in the trenches by interests that fortunately did not understand. They had a rendezvous with death and made his personal destiny a beautiful parable that happily hidden economic motives that led to the deaths of eight million people in the First World War. Iban cheerful with a historic mission on his back and only saw the horror of war when it was not possible to go back.

Then came the influenza, which probably killed a hundred million people worldwide, between 1918 and 1919. It was called English flu, not because he had emerged in that country, but because it was the only government that did not hide the data on the disease had a mortality rate of fifty percent. That

desolate terrain was suitable soil to spring the occult, and collected enormous amounts of testimony of hunches, premonitions and telepathy afterlife. Because "our land ever since it became human, was build on it in such a short time, such a mass of eager young dead survive" (Maurice Maeterlinck, the unknown host.) The desperation of death to give each individual a transcendental sense, to explain the reason why a whole generation dies in his youth, in a sense we understand the dissemination of the work of Rabindranath Tagore (1861-1941), in which the supreme being has the courtesy to send an emissary to warn every man the decision of his death. And yet the dying rose a praise to thank your destination!

year Most important, definitely, 1914, the beginning of the war that "eternity was proud of man" (Antonio Castro Leal). What was sentimental resonance for those who were called to die? The same critic wrote about it: "The best day, weary of the peace, throw us out of our country. On the desk is a manuscript on the bucolic poetry and in his coat pocket we put a few coins and the dialogues of the Buddha. We left. Sometimes to hell is a pleasant country, on again ... The war did not appear, said a soldier, in its moral aspect but in its cosmic aspect. " I do not know if this has served some consolation poet. Do not even know if his own poetry he has served to explain the horror of his fate. But the American poet Alan Seeger (1888-1916) was killed in action at Belloy-en-Santerre, then joined the Foreign Legion to fight for France. TS Eliot, his classmate at Harvard, wrote about it, "Seeger was serious in his work and shed a lot of pain on him. The work is well done, and so outdated that it almost gives it a positive attribute. It's high-flying, heavily decorated and solemn, but its solemnity is all-encompassing, is not a mere literary formality. Alan Seeger, as someone who knew him, I can attest, lived his entire life in this plane, with impeccable poetic dignity. " Seeger lived in Mexico from 1900 to 1902 and attended the bookstores of the capital, according to Castro Leal "infected with the vices of the country, published a literary journal that never appeared on the date ... The picture of the landscape of his poems is very Mexican and there is even a movement in its melodic singing, learned from our land safe. " Rupert Brooke died also (1887-1915), friend of Robert Frost, whom WB Yeats called "the most beautiful girl in England." He died during a battle in the Greek island of Skyros for what its young country was recognized as a new Byron. His friend, the composer WD Browne, who was at his bedside when he died, he wrote in his diary: "I sat with Rupert. At four in the afternoon, began to weaken, and died 4:46 am, with the sun shining on all sides, and the fresh sea breeze blowing through the door and windows protected from the sun. No one could have wished for a quieter end at that lovely bay, protected by mountains and fragrant with sage and thyme. "And he died Leslie Coulson (1889-1916), who only remembers his gentle nature during the day war. Killed more than poets. Killed others, but that was outside poetry.


II
There is a picture of Pedro Requena Legarreta painted in 1917 by Alfredo Ramos Martínez. Peter died in 1918 in New York, at age 25, victim of the influenza epidemic. Then his father, Jose Luis Requena commanded to do to that picture a wooden frame depicting a lyre with broken strings. Both poet and painter, walked through the countryside in search of inspiration. Requena wrote: "And you and I had, blood reservoirs, intuitions and longings of light and cheap, surprises that cause more surprises, wishes creators of new desires. And in the soul loves and ideas OPIM, which express different rhythms tend, you capturing light, I arresting rhymes, Oh life, both drunk on sun and poetry "(" Pictures and Verses ")

When the poet died ended the gatherings at the restaurant El Angelo Street 8, where they met Amado Nervo, José Juan Tablada, Joaquín Méndez Rivas, the Honduran poet Celaya Alfonso Guillén, Antonio Castro Leal, José Santos Chocano and Salomon de la Selva, among others. There, Ruben Dario had praised the talent of Peter. There, Nervo had offered to take him to Argentina to help promote his work. Then, his embalmed body was buried in Woodlawn Cemetery, where he remained until October 19, 1920, when his remains were moved to Mexico. In October 1922, at the initiative of José Vasconcelos, Rector of National University, he paid homage to the English graveyard with the participation of Manuel Toussaint and Carlos Pellicer, Requena who spoke these words: "Undoubtedly youth Mexico has lost him his best poet. Beautiful lives of five decades, devoted to love, friendship and beauty. Fervent spirit and gentle hands, for that existed almost exclusively ... suspend this memory without saying the last word. "Requena

claimed to be the best translator Poetry in Mexico, but also made a significant personal work. In New York, she met Tagore at a conference of Nobel writer at Carnegie Hall in 1916. On this meeting, Requena wrote: "The shrill voice of Rabindranath Tagore, a penetrating voice and rather shy, become serious and deliberate when settles the principles of his philosophy, passionate when he speaks in defense of their homeland or against England, and ironic when finely satirizes the moral progress of the peoples of the West "(Universal Magazine, New York, December 1916). Later, Tagore spoke several times with Requena about his writing. Joaquin Mendez Rivas friend of the translator, notes that the translations of Gitanjali were made from the versions that Tagore did his own work into English, but Requena, to try to come as close as possible to the original meaning, he studied the philosophy of the Upanishads and collected data author.

As part of the collection Cvltvra, appeared in 1919, the Anthology of war dead poets (1914-1918) versions of Pedro Requena and an essay and notes by Antonio Castro Leal. The literary anthology is a sample of a generation that died in the war in Europe, there are seven English writers, six French and one American, born between 1868 and 1895. The authors of the anthology New York consulted the extensive literature was appearing after the death of poets. Antonio Carreira, one of the leading specialists in Góngora, considers the poets of the book "beautifully translated" Max Aub and adventure that could compose his book Impossible Sinai (1982, posthumous), a sample of poets and translations apocryphal, inspired by anthology of poets who died in the war.


III
The October 16, 2005, at six forty in the morning, a house collapsed in the street of Santa Veracruz 43. Long been known as Casa Requena, until the name was forgotten and began to call Mazahua mansion for having been home to 42 indigenous families for years. In the center of the courtyard was the old fountain, covered by debris. On the first floor walls were still painted Venetian mosaics hand Requena family sent for Europe to decorate the house. Previously, the Casa Requena had been one of the most famous residences Porfirian by the delirious decoration José Luis Requena had ordered, thanks to the fortune he had made as a mining entrepreneur. On the day of the collapse, someone hit on the front a series of photos of the house with the original decor. Photos of Peter and Art Nouveau furniture for decades the family donated to the University of Chihuahua. The photos of the bedrooms copied from Perrault's tales. The furniture that seemed inspired by the drawings of Julio Ruelas. Pedro Requena

lived in this house during his childhood and adolescence. Although he was sent to study in the United States, returned to join the Law School. He spent those days with friends at the bakery El Globo, in Italian opera theaters presenting and reading the French writers whose books he had brought from Europe, his friend Victor Velazquez adopted son Felix, a nephew of Porfirio Diaz. But his life in the Santa Veracruz ended when his father was about to be assassinated by Victoriano Huerta, for participating in the presidential candidacy of Felix Diaz. Then, the family fled the country and headed to New York. Other circumstances, remoteness is one reason why the work has been completely forgotten Requena. He had a literary destination Gabriel Zaid summed it up this way: "Requena happened to be famous without being read, to be discarded without being read."

(Inland Journal 159, August-September 2009)

Tuesday, October 6, 2009

Meaning Of Wa Inte Be Alf Khair

Cervantes sense in the work of Alfonso Reyes (Reflections in a spiral)


For Sergio Fernandez

Miguel de Cervantes was never a situation "outside", ie was never binding motif public to comply. These young people joined the war first Gabino Barreda and his interest in taking the positivism of the National Preparatory School, then a desire to learn European painting, defending the legacy of Manuel Gutiérrez Nájera, giving lectures about what was cultural news in Mexico and Europe, read the Greeks and the Germans who considered themselves Hellenes (and grapple with Nietzsche, who gave them moral concerns). And we must accept that as a generation made enough to rediscover and John Ruiz Sor Juana de Alarcón. The third anniversary of the publication of Don Quixote passed over them, as is the storm water over a two waters, while speaking in good weather. The highest-Manuel José Othon, Salvador Diaz Miron, Amado Nervo and Francisco de Icaza, "they did pay attention to Cervantes, but for some reason, young people were far from their influence. (Susana Quintanilla in his recent book "We", only makes mention of Cervantes, Reyes met Torri Novelists talking book before Cervantes, Carlos Buenaventura Uribau.)

If I make this district is because I want wonder what is the reason why Cervantes appears only marginally in one of the leading humanists of Mexico. Because often assumed that Miguel de Cervantes is there a real and objective so as if it had always been with the same force. He said that inside the house talking and it was raining outside, and it could be a flood and the house to float above the immensity of the water, however, one is forced to move only one pair of each species inside to protect from flooding. And it has done enough readings census Ateneo (Goethe, Nietzsche, Anatole France, Góngora, Shakespeare, Schopenhauer, Plato, Walter Pater, William James, Rodo, Poe, Azorín, d'Annunzio, Dario) to know that the encounter with Cervantes is a strictly personal matter that has to do with that "I" that makes the artist's work. And the man who claims to be national usefully opens the door to his house to flee their own circumstances and unexpectedly falls in a sea generously universal culture.

I am not my approach to Cervantes and his work is necessarily external, ie I see it in relationship with everything else. And generally I hear that Cervantes is a solved problem, that for certain reasons is the literature of which party all the modern conception of art. But why not, or at least it was not for Alfonso Reyes, who faced with another English literature "correlation of forces" (if I may use this expression) and had to start clearing your personally unknowns . Gongora give a site because he had to admire his work before its official discovery. And taking the time to the Archpriest of Hita, Gracian, the English picaresque. And a puzzle called Cervantes. A puzzle that is not there to make it right but to become part of the problem. A literary work in which the characters are unaware they are transformed into literature and literature for a character to imitate the ancient knights walking begins to turn his reality into a literary reality in a manner so convincing and voracious that fly the epicenter of a widespread conversion. And so that really it is successful, it must abolish the border between inside and outside of the work.

"Alfonso Reyes Cervantes is very marginal," wrote Manuel Alcala in 1966. If I return to this issue after something has been so categorical statement is only to extract a meaning to a series of texts and comments scattered throughout the extensive essays Kings, over fifty years. And a literary relationship that allegedly began in childhood: "My first reading of the huge folio data with magnificent illustrations of Dore that was my delight in the parental home. Volume I 'was great', and I was physically to sit on it to read "(" Don Quixote in hand "). A less close than he intended when he wrote to Henríquez Ureña in 1908: "Ah! I will also read the (Quixote) (which means X 4 th time) "A statement made at 19 years and who did not believe José Luis Martínez (" a presumption child, typical of the intellectual ambition ") and possibly not Henríquez Ureña who responded with a more or less hollow phrase: "The whip of satire is made fibers own broken heart. "

General Bernardo Reyes was wrong to claim happen to Porfirio Diaz, later it was proposed that the dictator was exiled from the country. Wrong again on the day of his death, when he tried to enter the National Palace on February 9, 1913, and was hit by a bullet. Alfonso fled Mexico after refusing to cooperate with the government of Victoriano Huerta. In Spain began the first references to the works of Cervantes, but are indirect and from reading the work of Azorin. In 1900, this author had written The English soul, two lyrical portraits of Castile, dedicated to the XVII and XVIII century, to reflect a continuity in time, a continuum known as "soul" that sought to give content to the problem of nationalism, and five years later, Route Don Quijote , commissioned Minilla Manuel Ortega, director of The fair, to Azorín travel to La Mancha and explain thoroughly the English reader what it was three hundred years after the people who visited Don Quixote and Sancho. (To be more precise, Ortega Minilla foresight gave a firearm to defend himself Azorín of highwaymen.) Throughout the villages, poor and abandoned, the author did or wanted to see reality as an extension of the Cervantes novel. Azorin, a custom he intended to build some Metaphysics of Morals, wrote at length about Cervantes provided in these terms. But his "English soul" was always Cervantes. Anahuac Vision (1917), the description alfonsina Mexico City at the time of the arrival of Cortes, claimed to be the first chapter of a series devoted to describing the Mexican character, century by century, how Azorín . By which I mean at that time was more significant Azorín Reyes Cervantes and the couple of notes he devoted to Cervantes in 1915 and 1916, were about the texts of Azorin Route of Don Quixote and a novel about the youth of the licensed Window.

Most of the references to Cervantes in the work of Reyes are the top ten book reviews he wrote for the Journal of Philology and two more for the daily El Sol, between 1916 and 1918. Which do not exceed 20 pages but it helps to know the ideas about Quixote began to circulate in Spain ninety years ago, the announcement of the Rodríguez Marín editions, the commentary in English literature Cervantes, Jose de Armas , which Reyes extracted the following paragraph: "With very justified satisfaction says this eminent hispanica (J. Fitzmaurice-Kelly) that his country was the first to translate the Quixote, first published in English in luxury, the first to make the comment of his book and the first to publish an edition criticism of his text, 1899. "And on Cervantes and the ballads of Chacón y Calvo, Reyes writes:" Cervantes, as it is on his mind all the English classics, was a folklorist, not only by the folklore in his profit, but by the construction process of his work. Even without sayings and dances, folk-inspired work would be, but understand this, make more sense all elements of a popular direct the work contains. "Most of the trials published at that time, there are two works that seem to be more interested in Reyes, the lecture on Don Quixote William Paton Ker and testing of Giovanni Papini" Don Quixote of Deception, "published in La Voce, Firenze, 1916. About English critic writes: "The Cervantes literary reviews ... offer a problem which has not always been well made: the Quixote sets out very long. And that book is so generous and so broad was written by a man who participated in all the superstitions of the precepts of his time. " "Neglect" technical Cervantes' Don Quixote makes one of the most neglected books, "if old, critics believed would find in it, as in the Iliad, several authors and several successive interpolator." Then the debate was whether this was appropriate reading "philosophically" Don Quixote (Enrique José Varona, according to Reyes, rejects that reading his book I should read Don Quixote). However, Ker suggests that it is impossible to read the novel following only one of the stated intentions of the book, as it reaches a dead end or a series of contradictions. The entire novel is "a jungle of inventions, but also intentions and artistic ideals. " In this context, the reading of Hegel: the book is essentially against the chivalrous knight in the person of Don Quixote.

Papini's interpretation, that Don Quixote is not a madman but a wannabe who pretends to be crazy and manages to fool everyone, including Cervantes, seems to have greater influence on Reyes. The protagonist's deep sense would: break the constraints of their environment pretending to be crazy to travel, since only crazy people have the privilege of wandering at will. The real fool is Sancho, who believes in Don Quixote, who in turn has no virtue, because it helps the weak by imitation, not by conviction. The other characters are suspicious of his sanity, to the point of calling it "a wise man mad." The Cave of Montesinos is the key to his deceit, and dry to Sancho, when he begins to invent: "If you want to believe you, believe me my story of the cave of Montesinos." Ker Papini and agree on the need to distrust the intentions expressed in the novel. Since it is a "miscellaneous" which appears burlesque poetry, novels inserted, literary criticism, either directly or as a parody, rhetorical pieces on medieval themes and common places or humanities. But amid all this opens up the fundamental issue, the trip, because the most profound book and popular are travel, The Odyssey, The Aeneid, La Commedia, Gulliver, Robinson, Sinbad, Fausto. "Every great book is a parody of the Last Judgement, and to judge men have to travel and meet them."

After these brief notes on Cervantes, Reyes spoke of his work ever about any other issue. Always in a manner characteristic of his creative process, ie, writing daily, adding pages to organize a book, Cervantes' work can be said that hovered over the pages of Kings. Alicia Reyes Adolfo Castanon and 140 selected passages in which the essayist recalls a passage or set an example from the work of Cervantes. Certain passages were always present, as the burning of books made by the barber and the priest, which is given by Don Quixote to his enemy the wise enchanter Freston. For Reyes, Freston is a character with liberating aspects, since one can not undertake the adventure and heroism if you have in tow a library of 10 thousand volumes. So the heroes have no books. If only come Freston to do literary criticism of our libraries to lighten your life, because a book called more books. "Reading and writing are entitled to as the concave and convex flame reading writing, and this is the biggest and true evil that cause the books" ("Bad Book" in Calendar , 1924).

That burning books, Reyes takes the name of Antonio de Torquemada, as it is one of the authors sent to the stake, even though the Persiles, is taken as a model for the description of the northern regions. So the only trial over Cervantes issue is devoted to Torquemada, in 1957, which is a monograph of the books "censored" by Cervantes. Previously, only made a balance on your reading in the essay "Don Quixote in hand," 1947. Reyes took the face of this encyclopedic work attitude, because your comments are lexical observations, detailed aspects of the expression of Cervantes, and above all are signs passages that can serve as examples to accommodate the work itself. I think there is some disappointment on the part of Reyes before Don Quixote and Sancho before. Thirty years after his commentary on Papini, this theory still resonates in his mind, especially in the Italian essayist's assertion: "In the life of Don Quixote no drama because there is no seriousness." But Reyes tried to find "the drama", so he meditated on the relationship of the characters. And almost reached the conclusion that some-most-are unbelievers and only Don Quixote lives submerged in his hallucination. "Sancho Panza only lives in a pathetic swing. And certainly already believe, and Don Quixote follows his eyes closed, and he departs, sometimes ironic, others simply wary. This swing of Sancho Panza is the tragic dynamic of Don Quixote. At its heart, and only in his heart, the real tragedy occurs. Since Sancho enters into arrangements with Don Quixote, is condemned to live, literally, with a broken heart. "Reyes recalled that at the end of the book Sancho he was disappointed by his master when he agrees to let the cavalry. But in his reading of 1947, realized that Sancho pathetic takes no position with the imminent death of Alonso Quijano. On the contrary, Cervantes makes it known that "Sancho was rejoicing, that inheriting property wipes out or softens down in the heir of grief might be expected to leave the die. " "With these words casually," concludes Reyes, Cervantes has killed me to Sancho Panza that I had begun to take shape. Has taken its highest sense, his definitive and lasting artistic value, being the same person who escapes the tragic battle of the work. Sorry for the insolence. "

Alfonso Reyes did not novel theory, this omission is not an abandonment or a failure on their part. Reyes was also not likely to display their tragedy, if that was or if he suspected I had it. We would go out of our lives and see it from outside, but unfortunately much as we always stayed move away from "this side" on the side of I-we carry with us, stuck. Cervantes wandered the Mediterranean, may be wrong to choose the path of happiness. "Missed" in both senses, as her character. But no one gets it right with his own life. Reyes missed by embassies and by countries, felt the error of the death of his father, and wrong to distance themselves from Mexican politics, much as it can go astray to ingratiate himself with her. But none of them saw their lives, nor Reyes. Nothing I said was Truth, and should not conclude anything, and neither Reyes concluded his thoughts on Cervantes. But as that we turn over life, err. The path does not exist, the path will always remain behind, and runs it does not know whether did leave behind a tragedy or a comedy.

(Text read at the inauguration of the Miguel de Cervantes Chair of the Faculty of Arts of the UNAM. March 2009)

Saturday, October 3, 2009

Example Of Church Anniversary Ad

Teresa Forcades influenza A

BELLS FOR INFLUENZA A from ALISHA on Vimeo .

Friday, September 25, 2009

Klonopin To Calm Dogs

"And my tongue want to get up ..." (About the poetry and 68)


There's not much I can say about 1968. Or anything that could add to what has been said. But at least I'm not going to collapse nothing, or at least remove a grain, since what is written is a long collective history and that historians seek to relativize these facts, it will crush your knuckles trying to hit on them. This year is a horizon in my landscape, I can not get away but do not approach, just know that behind him is: Ancient history. That behind the mountains, people are other, have foreign customs, are occupied with other matters. They are very different. Unfortunately we see them with corpses, we do not know how many, but they are living. Although in truth are no longer dead to us, they never were alive. Their voices cry out from the depths ask for nothing, re-entering the anonymous flow of history. Because they have no face, his voice is confused between the others. The historian is faced with the silence as they arrive, then to all sides, is the silence, all the events have passed and left their footprints. Continuously, the most skeptical historians (ie, when the disguised reactionary version with a healthy skepticism) tell us: There were so many have missed an avalanche of screams, a spate of demonstrations and all for a few dead, for our accounts give scientists a much smaller number of you say, it was filled with dead that site, and worst of all is that you use this unfortunate event, is true, we regret together, nothing hurts more than an attack of this kind, you use these unfortunate events to dominate. More or less this is the reactionary discourse of history today, as experience has taught him that not so many extraordinary events, seeks to remove the ends, not as many villains as assumed, but not so many heroes. Experience, as Walter Benjamin said, is a mysterious metal mask, we know what's behind her to speak to your prophet's voice when he says: I speak from experience. It removes the mask and is just smoke. Experience is only what is repeated, similar events accumulates, but do not know that there is extraordinary. He refuses to see beyond everyday life is another form of existence, is dedicated to reproducing the eternal circle of the working week and days of rest and meal times. Nothing is as exciting as a Friday followed by Saturday which will happen on Sunday, dedicated to rest and family life. Thus continue spinning the big wheel of events. I think the fear of breaking the everyday has long been the fear that history, as young people forty years ago were faced with those values \u200b\u200bthat left society as it was, but at the same time sacrificing personal freedom.

Perhaps you explaining in some mystery, and perhaps equal mystery to explain the silence. But within that silence, a series of whispers, those voices do not go at all. It is true that the dead are dead, but then what you hear in the dark. If nothing on the record, if there is anyone who owns the voices. The story is keeping their finery to celebrate two centuries, of course you want to be invited to the feast of the victors, who by this time are the enemies. But we used a hundred years ago, those celebrating were the enemies of the festivities. But it should not alarm us, perhaps those who fought parties would not so pretty but could not tell if this centenary promises. There are many reasons for pride, as a second floor run by private enterprise, will be the biographies of the heroes of those who have a metro station even know I do not know if there is a robot Hidalgo explains his ideals of 9 to 1, Monday through Friday. He presses a button and start talking, it seems that responds to public concerns. Perhaps responsible for the Centenary celebrations are a robot that repeats a hollow speech, and so far nobody has been able to find an address with some more or less coherent ideas.

However, it is more comfortable talking about all that, when passed so long. Zapata is more alive, that's true, but does not, you can invite to the banquet, you can even say his name. Preferably not, but you can, with some delicacy. But 68, perhaps not matter. Yes Maximiliano Santa Anna, but not now because the left has not ceased to point out these facts. Why harass the power, because the movements of today are liable for that movement so brutally repressed. What is not so many died? "Void then give voice? To me the only thing that comes to me now is the opposition of history and poetry. Since there is a current trend that calls for an end to the "historical myths, poetry is then invited to go to the dock. These poets and their beautiful lies, creating myths and spoil the best minds. It is better to make a precise cut between reality and literature, claims history, as if history did not have a position concerned. And the poets preferred to stay out of political opinion, perhaps building their separate worlds. But deep, mystifying and demystifying are two sides of the same coin, or a struggle centered somewhat on ideology, while escaping the facts. While a dispute with another, while the myths are sewn and comes undone as Penelope, while we decide if the reality is knowable or not history, will not miss the political goal hand in our pockets certain that the trial of history will occur when nobody knows what he was being tried. When the story with their evidence, if it meets value and yell their findings will be surrounded by silence.

"not on the record." Yes, it seems. No one. Nothing. I recently found the blog of a descendant of one of the boy heroes, the elementary school teacher said: "The children there were no heroes." As the descendant of Aureliano Buendía when he later learned a good cure for that Macondo Aureliano Buendía did not exist. If the facts were not so, how they were. Not that the poet present evidence, presented experiences and the poem is the road that follows its own truth. A truth that is never extended, which at best serves to reflect on it all humanity. But only reflected. Generally, you are prompted to poetry some "objectivity" as if it had the responsibility as the map is discovered Troy. You are asked to be responsible. You are asked to give informed judgments. And poetry ... well, you know, we have seen, poetry, not long ago if that. Is taken very seriously implement this inner freedom, wants to leave its limits, even when asked to be "politically correct." Contains very deep desire, but the exhibits. Nobody asked me my opinion about committed literature, but I give it, because I know I will never question. And I prefer it when you get the answer he comes their way. Like poetry itself is committed, can not objetársele any omissions. I should turn the question to another site. It is the social theory which should give us an answer, it is she who should answer which way forward to resolve the doubts that made the poets, as well as ways to turn those possibilities into realities poetic potential. Unfortunately, the commitment is lacking is the contrary, the policy with poetry.

However, the poet knows his ways. You can afford to be proactive and mystifying. He can afford anything. Did I say "anything"? Yes, anything. True, you can allow censorship. But there is no camera. For my part, I can not impose anything on anyone. But then I have the right not to go where they call me. And I will not go behind the ritualistic interpretations of 68, and will not follow certain voluntarism sometimes suggested in some passages of the book. Above all, I am not attracted Hispanic metaphor, making the political events in 1968 made a ritual moment, cyclical, history cleaner. But as I said before, the poet is entitled to that. Especially since the poetry never hides his vision of things interested. It is always the interest of the poet. No matter how hidden you have their interests. Ultimately, it is committed as possible. Although things considered, the possible is to some extent concerned. I think in a particular case, since I shall not take the path of speculation. Juan Bañuelos writes about a dead girl. Well, not just a dead girl. Is Regina Teuscher. And you know it, it became a musical about it with Lucero. The producers had good intentions so democratic that even had a nice subtitle: "Music for a nation to awake." In it, as in the famous novel, Regina is chosen by a Tibetan Lama, spiritual beings who have so often helped the CIA and competing for the theocracy and paternalism. The day the book appeared, a woman rose from her place: "I am the older sister of Regina" he said. "In Ana Maria Regina Teuscher Krüger. My name is Maria Luisa Teuscher and have come to ask you, Mr. Velasco, who authorized him to use my sister to make as much money to write this ball of lies, nonsense, to fool the people ... "The writer said: "There are lots of Regina. You talk about one of them. " But that is anecdotal and we do not Like the anecdotal, fuchi, we like the transcendental. And the vital point is that opening night was attended by Martha Sahagun de Fox, Francisco Barrio and Rodolfo Elizondo. In no way was the Teuscher family, ie the owners of the partial and fragmentary that aide. I share with you the concepts of The Journal of Tower of March 26, 2003: "Regina, a musical for a Nation Awakening, tells the story of a girl who was born in Tibet and has a mission: to awaken spiritually to Mexico; achieve a single thought and thus achieve a better country without corruption and with the values \u200b\u200bas heroes who fought and gave the mother country freedom. For all that, Regina is connected with the government of Vicente Fox, for the hope that people had to see a change, as Regina's mission was to meet him and help unite a single thought. "You may remember that those dates Vicente Fox declared heir to the 68. Not all is well, though some former leaders of 68 have been honored by that statement. That way no historical conflicts are resolved. As much as Fox would have learned the songs from Lucero, this does not solve anything.

There is another voice, that has nothing to do with Lucero or his music. It is the silence of Regina. That is at the plate with a disfigured face, but with the unspoiled beauty. Lucero silence that leaves no hearing is the true flow rate at that time. There is a voice, definitely. Meeting at the best poetic moments of the authors gathered in the 68 Epic , Jose Alberto Damian, Alejandro Zenteno Himber Ocampo and Chavez, a recovered voice that gives voice to silence and the voices that cry from the abyss, to which the Polish poet Wislawa Szymborska apologized for listening to an album of minuet.

(Epic Book presentation 68, Jose Alberto Damian, Himber Ocampo and Alejandro Zenteno, Lecture Hall, Faculty of Philosophy and Letters, September 24, 2009)

Sunday, September 6, 2009

Bow And Arrow Game Balloons

Cities invisible, invisible narrators



The country is impeccable and diamond, said Lopez Velarde. Inaccessible to dishonor flourishes, though I do not think the ministers felt the same way the Supreme Court a few years ago voted against the poet of Campeche, Witz Rodriguez, because he wrote a poem, "The country between shit." At that time, the Minister Olga Sánchez found that the outrage poetic affect "the security of our nation." Since then, the most dangerous thing is to write, no matter what or what because writing usually has a spiral shape and as more is left alone at its discretion, feeding on itself, may take incomprehensible and dangerous ways, and that freedom is generally misunderstood. At some point words can leave the book and will be useless to close the book, close the libraries, or opening, as it did not long ago a president, a huge building, the Library of Babel of self-improvement! It is clear that the Supreme Court protects us from abuses of our freedom. As is the case of the poet Witz Rodriguez, who wrote: "I / me dry the rust on the flag / of my country / That rag / on which they lie / dogs / and nothing represents." Do not quite understand the links between a regular metaphysical poem and destabilization the country, though some ministers have to know that now receive 340 thousand pesos a month to exercise their philological knowledge. Just have confidence because the words can mean many things and jumping wherever they want, like snakes coming out of a nest in all directions. And someone has to wait outside with a hammer to crush them. The words not usually know what they say, do not know at what point offend public morality, affect the rights of others, violate the peace and public security or disturb public order. And that is too much! Someone must maintain respect for words, for example the police. See what happens? I just wanted to say that parental diamond is flawless, as the great poet. But the words come out alone, heading for their own interests. The poem is beautiful as advice as being faithful to the daily mirror, as in all times and the Ave Maria rosary. But nobody took the advice of López Velarde. Fundamentally, the homeland. Poets ... well, the poets do their best. Following are the facts, a poet as they can. The Supreme Court to read them with interest. No, preferably not read them. Only if someone reports them. Do not get into the issue of freedom, there is little case and there is little progress. Also, usually argue a lot, we make enemies and did not arrive at any conclusion. It is better, for now, to think that everyone can have their idea of \u200b\u200bfreedom-and therein lies their freedom. So you can say whatever he wants, and I will not mention the Supreme Court, but I hope you do not forget that there is, say whatever. And in a magazine there is a dialogue. Although everyone speaks by itself, but what are otherwise made the dialogues? I must say that all texts are shaped like concentric circles, like a falling stone and whose meanings are away from it little by little until they dissolve. Of course in reality this is not true, but in the stillness of thought, when we write and we hear our own voice ranging over the universe. Now, if you ask me, I only see that the words are stifled almost out of the mouth and are silenced. There is so much and so many people saying that while almost no time to receive the interest in our word. But that does not matter, it is essential that the words come out in search of something, otherwise it would be where they were, there potentially. I spoke earlier of a poet and his homeland. With what emotion the words came following him. However, the poet and his homeland have fallen far. The holy smell of the bakery, the pace and lust for the hours, the birds carpenter by trade, in short, you know, all that. When our words came out, all that had already vanished. The word went out and ducked in time a heading. And he faced another reality, which I do not know if they are interested in my opinion, is completely incomprehensible to me, however I tried to understand it Through the texts are in inland. I thought I had arrived late to discuss certain things, among others, the issue of centralism or marginality. I thought I had already discussed all concerned, but it is not. Is discussed, it hurts, is still alive. Jesus Gardea, who unfortunately only known for the story "All" anthologized by Mario González Suárez in Landscapes of limbo and two stories appeared in a collection of Mexican Notebooks, SEP, I imagine that with the intervention of José Emilio Pacheco, it may be "marginal." Do not live in Ciudad Juárez most of his life. Or not only that. Although I have my idea of \u200b\u200bmarginality and the work that is set aside for the development of a fee, somewhere. The fee is not woven himself. It has a fat spider in, Harold Bloom, though certainly not the spider decides everything for more than Harry Potter was angry and try to catch children to fill the "canon." I share the idea of \u200b\u200bChristopher Dominguez at the end of this issue (p. 87) that "the taste for the stars as a rating "is what" commonly expected of criticism ", but do not think he has been left out of that way of doing criticism. But saying that all is not well, because Michael Dominguez includes Gardner in his anthology of fiction although that is not necessarily recognized. I would like to historicize the charge, not him as an idol, watching over their heads like the sword of Damocles, fishing at the head of the author that it is not pleasant, to throw him into oblivion. Because there is are "workers of the canon", if I may say so, but I know I am not allowed and do it anyway. Amid all this, Inland is an opposing force is not to be alone this publication, or rather, it stands alone. It is a centrifugal force, because in addition to all I must add our fee is centralized, which is his way of being provincial in their way. Or was central to the emergence of the mafia state. (Provincial in the wrong direction, as well as Milan Kundera accused of provincialism to the French, who know the value of their literature to the world-in France, according to his book The curtain is more valued as a writer that Charles de Gaulle Baudelaire.) Not everyone is well, luckily, I think the answer to what I asked myself is in the same journal: on the theme of invisible cities. These authors also see invisible text, or they assume a certain invisibility to tell, because their partners are unaware of their status as a writer. And the invisible narrator, dissolved with the city, is dissolved in such a way that manages to enter where a visible author could not enter. As a fluid that penetrates between the gears of reality. Similarly, the literature is invisible to the city, fortunately. Otherwise it will not allow anything in the literature. "What is essential is invisible to the eye," said the Prince, who knew no political economy. I wonder if you remember it, the economic structure of the planet was to prune baobabs so that the roots do not disintegrate. Perhaps referring to the invisible seeds that threatened to develop and complete their asteroid. Might well say the same the Da Vinci Code, since the theory operates in the invisible plotters. They are seeds that if allowed to grow destroy the world, and wisely advised George W. Bush. There are an unknown mechanism, of course, basically the economy to mention some of the authors of these texts. Some, like the adventure of finding gold in Acapulco marijuana hiding very well possible. Although the possibility of finding more marijuana is worse that does not invalidate the search. As the search holds a patent medicines way of life in Guadalajara, the industry hides invisible while the mechanisms that make it possible. And the invisible writers who have to stop being to hear, they have to sacrifice your computer-pen to live even for a while and then return with their experience and take a borrowed body. This is what happens in the text of Torreon, and the ghosts take a body to exist in the community, to watch football and be through the cohesion that comes from being part of the hobby. The same applies to the reporter that he meets a dealer only when stripped of their profession. There is something that beats the invisible, so that the eye can see is not seen and to reveal how the eye that looks lost forever. I said that a centrifugal force that disrupts the monopoly on voice and delivery to others, so that no one who speaks on forever in the possession of words. It is the example to follow in this publication, give voice to someone always different, providing a space for all spaces. And I, I just wanted to say that the country is impeccable and diamond, if I may the Supreme Court, and pass the word to someone who used more responsibly.

(Presentation of the magazine Inland 159 Cultural Center Spain, September 1, 2009)

Wednesday, August 5, 2009

Wholesale Metal Scooter Wheels

Antonio Caso, a reading



A few months ago, Christopher Dominguez said in his column in the Angel of Reform, that for his generation Antonio Caso (1883-1946) is an unknown. Does the fact that for many years has failed to discuss their work means they are dead or exceeded the debates in which he participated with their ideas? What does follow is one of the least known? Why is a thinker that even the Conservatives have struggled to keep alive? I went to Case to return books to a reading. What little I can say about his work and his life is a function of what can be extracted for a possible dialogue with their ideas.

case before the Ateneo Youth
Antonio Caso Andrade was the son of an engineer of liberal and positivist thought and ideas of a Catholic mother, and brother of the archaeologist Alfonso Caso (1896-1970), discoverer of the Tomb 7 at Monte Alban. His philosophical ideas have roots in the family, because on the one hand he had sympathy for positivism in his youth, even if there was written evidence of that stage, and on the other, always maintained an anti-clerical Catholic thought similar to his mother and to several Mexican liberals who preceded him as Altamirano and Prieto. Evidenced by the fact that at age 19 participated alongside Diego Rivera and José Vasconcelos in a demonstration Student protest against Joseph A. Esparza and Antonio Icaza, two priests involved in sexual abuse allegations.

studied at the National Preparatory School and welcomed, as he himself said later, the teaching of teachers positivists. He chose the career of law because of its proximity to philosophy, although his father had chosen engineering career. He received no formal education as a philosopher, so it was forming a personal philosophy that a library was consulted by his fellow Ateneo future. Since studying at the National School of Jurisprudence out among his classmates, so that on 1 July 1905 was chosen to give a speech in honor of Justo Sierra, the first responsibility of the newly created Ministry of Public Instruction. A few days later, on July 27, was invited to read his first known text, the poem "Song of Juarez" in the Literary Institute of Toluca. Nine days after the death of Benito Juárez, which occurred on July 18, 1872, students of this Institute organized an evening of mourning, which became a traditional event held annually. Also belonging to this stage today lost another poem, "The praised."

Probably around 1905 he met Alfonso Cravioto, who was a year younger than he and fellow student in Jurisprudence. Cravioto just received an inheritance from his father, Rafael Cravioto (1829-1903), former Governor of the State of Hidalgo, which funded the magazine Savia Moderna, which appeared from March to July 1906. This publication was the first attempt to bring together young writers who had failed to form an independent group of the Revista Moderna de Mexico who led Jesus E. Valenzuela. Various future Athens began to publish in the Journal of Cravioto, without abandoning its proximity to Valenzuela. It appeared the first article of Case, "Silence" (March 1906) in which certain ideas are noted spiritualists, even though at that time still did not break with positivism. Álvaro Matute

Case believes that he had a series of matches with Pedro Henríquez Ureña (1883-1946), who arrived in Mexico City in 1906. Both were primarily academics, ie forming disciples, but throughout his life have participated as intellectuals in public discussion. In late May of that year, Henríquez Ureña was invited to the offices of Savia Moderna. There he met Case, who soon heard "in an evening of the centenary of Stuart Mill, speech that I found an extensive philosophical culture and way wrong speech yet, but promising. " Since then, Henríquez Ureña and Case began a friendship strengthened by a series of ideas in common, they both had similar interests and a certain dissatisfaction with positivist education. In his "Memoirs" tells Henríquez Ureña break with this thought:

One night in mid-1907 (when I had conquered Platonism, literary and moral), Case and I discussed with [Ruben] Valenti, we said the first two it was impossible to destroy certain claims of positivism, Valenti argued that even science was already under discussion, and reading Italian magazines appointments made us Boutroux, Bergson, Poincare, William James, Papini ... His argument was so strong, that since the next day and I threw ourselves Case for books on anti-intellectualism and pragmatism. Just then was to begin this boom, and the task was easy.



The University consists of Case
About Henríquez Ureña was forming a small group that began meeting in the case library to read the authors did not provide positivist education in the curriculum. At these meetings, called by Alfonso Reyes' evenings Santa Maria, were read mainly philosophical texts of Plato, Kant, Schopenhauer and Goethe. An evocation of Kings written in 1917 gives an idea of \u200b\u200bhis character

Goodbye to the nights dedicated to the genius, admirable quiet streets or in the library of Antonio Caso, who was the very temple of the Muses! He chairs the talks an enormous bust of Goethe, which we used to hang his hat and coat, making a guest grotesque. And a clock in the background, giving the hours you want, and when it intrudes too much, it silenced, that in the home of philosophers, such as the Wild Duck, not at the time. If he hears and says everything with intense fervor, and when, at three o'clock, Vasconcelos just read us the meditations of the Buddha, Pedro Henríquez Ureña precludes the gathering to dissolve, because-claims between the general scandal, "just beginning to get interesting." At this time of life now devote copious memories, sure that was the best.


While readings of the young disciples looked Henríquez Ureña German philosophy and currents of thought opposed to positivism, is often stressed Greece's interest in these meetings that would shape the future thinking of the Ateneo de la Juventud . This orientation can be interpreted as an attempt to incorporate Mexico into the Western tradition founded on Hellenism, as seen in the work of its members deployed throughout the first half of the twentieth century as the birth of Dionysus Henríquez Ureña (1916), Iphigenia cruel Kings (1924) and Evocation Aristotle's own case (1946), to name a few. In this regard, Reyes writes in his "Commentary on the Iphigenia cruel": "Justified the fans of Greece as a weighting of life, it was as if we had created a tiny Greece for our use: more or less faithful to the paradigm, but Greece forever and ever ours. "

Although Savia Moderna and the" evenings Santa Maria " was intended to formally organize a group of independent intellectual Modern Review, it seems that the real stimulus was provided by the appearance of a second season of Blue Magazine (April-May 1907), directed by Manuel Caballero. This publication, calling itself as the heir of Manuel Gutiérrez Nájera to do between 1894 and 1895, appeared as an enemy of decadence, that is, the authors close to the Revista Moderna de Mexico. However, future follow were those who took the responsibility of answering the attacks of Revista Azul. On April 11, 1907, the newspaper El Entr'acte, also led by Knight, published an ad in the young writers:

We, the undersigned at the bottom, most in fact and in law, and intellectual core of the youth [...] publicly protested against the work of profanity and falsehood in the name of the sublime poet Manuel Gutiérrez Nájera being committed to the publication of a paper entitled Review Blue [...]. Protest [...] because the said subject is not only able to continue the work of "Duque Job" but not even understand.


Although Case was among the signatories, it is important to state this fact because, along with the bulk of the participants in the "protest literature" organized the same year a Society Conference, according to a proposal by the architect Jesús T. Acevedo. Its purpose, according to Reyes, was "to have direct dealings with the public, to talk to them:" The first cycle was in the Casino de Santa María. Each session had a speaker and a poet. This was stretching our action by the bourgeois neighborhoods. There was everything from metaphysics and education, painting and poetry. The success was frank. "In this cycle, Antonio Caso took to the conference" The influence of Nietzsche on Modern Thought "(June 12), one of the first exhibition about the German philosopher in Mexico. A year later, in the second series of lectures organized at the National Conservatory, Case spoke of "Max Stirner and unique individualism." German philosophers took both Case elements that served to take on positivism, still hegemonic in the National Preparatory School. The following comment by José Rojas Garcidueñas can be extended to the two thinkers: "The deal Anthony Case of Max Stirner was probably due, firstly, to continue the campaign already under way, and culminating in the years subsequent to disclose and study various philosophical systems, to break and end the government monopoly that had been exercised to some extent positivism. " Indeed, in 1909, Case took a course on the history of positivism which ended in defining youth about the limitations of this thinking, which he considered a "faith in science." These conferences, as Jose Luis Martinez, "are designated by mental savings 'against positivism', although its real theme is the new spiritualist philosophy." According to Rosa Krauze, to escape the limits of positivist training, turned to the reading of Kant, Hegel, Nietzsche, Schopenhauer, Boutroux, Bergson and James, among many others, but never took the thought of these authors so total, always used some aspect of each one of them to face certain problems that interested him, "the first training case [was] an intuitionist anti-intellectualism, pragmatism and indeterministic, tempered by an intense moral concern." Later, once formed the Ateneo, Case lectured in the two cycles of the group, "The moral philosophy of Eugenio M. de Hostos "(August 8, 1910, the National School of Jurisprudence) and" Philosophy of intuition "(November 1913, General Francisco Library Gamoneda). It was not a random item from each of the conferences organized by the group (the new philosophy, Hispanic American thinkers, new perspectives for the study of Mexican culture, the discovery of colonial architecture, Mexican popular music, the revaluation of Juan Ruiz de Alarcón, etc.), as affirmed by José Luis Martinez: "Case and Henríquez Ureña the plans and assessments, and the Dominican preliminary scrutiny of the texts of the rookies, and even to reject projects are not mature enough." Thus, following the same critic, "the soul was Henríquez Ureña, but his conscience, Antonio Caso density was thinking."

The first series of lectures (May-July 1908) almost coincides with the homage paid on 22 March this year in honor of Gabino Barreda (1820-1881), founder of the National Preparatory School and pioneer of Positivism. This tribute, openly anti-positivist, organized by future Athens was a way of saying, according to Gabriel Zaid: "We are against positivism, but not of their institutions, which we take." In January, Henríquez Ureña Reyes had written to take advantage of the convenience of the discussion prompted by the book's secondary education in the Federal District (1908), Francisco Vázquez Gómez, about the incongruity of imposing when the positivist education reform had achieved free education. And in another letter, dated February 17, adds:

Imagine that Dr. Vazquez Gomez is an instrument of the Society of Jesus, and that the Jesuits have intrigued both with Don Porfirio, this came to tell Don Justo I saw something to be considered in Gómez Vázquez proposition that school education should be left in private hands, so I thought, that money would be devoted to the primary. In private hands is in the hands of the priests, as individuals, but what they, have the means to install school? The event is more timely than we thought. The hesitation of Diaz is up to ruffle his hair, says Case. We have become so "intimate" Don Justo.


The "tribute" was a central part of Sierra's speech, delivered to take a stand against positivism, but also to prevent Diaz was to deliver the Clergy School. For this reason, Case believes that perhaps the most important works of folksy writer is "the memorable sentence he uttered, in honor of Dr. Barreda [...] with a huge audience of young and enthusiastic disciples." The apotheosis, Zaid writes, "culminated in the students, and getting out the horses in the shot, gave a triumphal "Sierra. Do not forget that the first question that Case made to Positivism was his conception of the scope of scientific knowledge, so that the position of Sierra scored his thought, said the speech:

we doubt: first, because if Science is nothing but systematic knowledge of the relative, if the objects themselves can not be known, if only we can know their relationship continued, if this is true science, how life would not be in control? What great fundamental truth has not been discussed in the scientific field, or not discussed at the moment? Geometry is to debate, and several of their demands are taken as opposed to objectivity, all reality [...]. Life sciences, which gloried in having been based in its absolute independence of the inorganic, which, according to the maxim of one of the most distinguished biologists, had a starting point the need to produce what the living alive, closer each day to physical-chemical world, and begin to descry in this lightning fugitives of vitality, sketches of the bridge that will fill this gap, which seems a challenge to the logic of the law of evolution. There, in biology, Barreda and his teacher stopped Comte: More is not enough this kind of earthquake under the great scientific theories, to understand that the banner of science is not taught peace?

Case
philosophy is also a reaction to the collapse of positivism, as it tries to build a knowledge based on metaphysics. So, years later, in 1939, he wondered, commenting on the speech of Sierra:

What could be saved from this radical doubt, uncontrollable, you feel an earthquake constant under large scientific theories and looks at religions great living organisms, bordering on metaphysics, and the same synthesis as completely hypothetical mental and probably chimerical? What seat, which is not perishable, we will base our lives and build our ideal, if not science or philosophy or religion provide us? ...

As a result of the tribute to Barreda, shook links among university youth and Sierra, in a relationship always "coincidence and collaboration in education policy" (Alfonso Garcia Morales). It became clear that young people saw an opportunity to "inherit" the cultural power, concentrated in Justo Sierra, as the president Diaz had made statements to the reporter James Creelman, the March 3, 1908, which encouraged the issue of succession: "I waited patiently for the day when the people of Mexico is prepared to choose and change their rulers, without the danger of armed revolutions without damaging the national credit and without interfering with the country's progress . I think finally that day has come. "So it was likely that these words made more urgent the establishment of a cultural group present in the 1910 elections. However, Case was re-election at that stage, it briefly addressed the political weekly re-election, convinced by Rosendo Pineda, one of the closest scientists Diaz. However, he notes Salvador Azuela, "disclaimed the commitment so having no taste for political action, it was necessary to establish another newspaper called El Debate, it was a terrible poignancy." In June 1909 he is back in lounge Generalito, High School, saying a series of lectures on the history of positivism. " It is worth remembering that, as stated Henríquez Ureña, Case is based on Nietzsche because it "manages to discover the basis of idealist metaphysics that underpin positivism", but until now no study exists to explain the reception of Nietzsche in philosophy, because as we know, the texts German philosopher were manipulated by her sister, Elisabeth Förster-Nietzsche-Semitic. Not to mention that not exactly known issues read by Athens, although Reyes, Henríquez Ureña and frequently cited case The Birth of Tragedy.

On October 28, 1909 as the brainchild of Case, settled the Ateneo de la Juventud in the auditorium of the National School of Jurisprudence. Elections were held that day, being the first President Antonio Caso. The University works as a bi-weekly, open to the public, where members gathered to read his personal production. As stated by Fernando Curiel, "University of Youth "is a name that is inserted while in a Mexican tradition of intellectual associations and suggests the idea of \u200b\u200bgenerational renewal, but above all was a group formed by an elite who aspired to cultural power. With this continued working regularly until early 1914, during the period of Victoriano Huerta.

Master Case
Since 1906, Case had been the winner in a competitive examination for history class, but the jury considered too young to teach the subject. The following year was appointed professor of illustrated lectures on History and Geography, School of Arts and Crafts for Men. But his fame as a teacher is linked to the founding of the National University on 22 September 1910, after Rector Justo Sierra appoint a former Catholic Maximilian Joaquin Eguia Lis, and Antonio Caso as Secretary. Few then responded to the positivist Agustin Aragon, who argued that the founding of the University was a setback because it opened the door to metaphysical Case positivism insisted that there was no longer a faith

How tremendous was our destination if, when the yoke of the Catholic Church, we would necessarily fall under the sway of that "Catholicism without Christianity", that 'Seudocatolicismo lay', of that monstrous political body that advocated in his delusions of world domination that humanity's theocratic, kindred spirit of the Innocent and Hildebrand, the brilliant and irreverent disciple of socialist Saint-Simon, whom I venerate as pontiff infallible (Review Journal, March 26, 1911)


However, after Francisco León de la Barra appoint Gómez Vázquez, a former enemy of Athens, Secretary of Education (May 1911), Case resigned his charge. Since then, occupy different positions at the National University category, but always considering his main responsibility was teaching. In this aspect was central to the next generation, it unveiled the thought of a large number of European authors, mostly French, and presented in a systematic manner the disciplines of sociology and aesthetics. His bombastic oratorical style convinced the students who attended his classes between 1909 and 1916, many of whom observed a heartfelt remembrance of those years (Contemporary future, some chose to drop out and others confronted him in writing.) Jorge Cuesta, for example, the teacher writes:

I left [the book Philosophical problems] fueling a bitter sense of impotence, which was relieved only hope that I put in their oral lessons. But I missed one or two, I left them more discouraged than before. Pedagogical enthusiasm was something that had not yet found in my school life. The exaltation of his gestures and his voice just got scary. I sought, naively, that philosophy was an intellectual exercise efforts, but quiet. His exuberance exceeded my power, and therefore I was afraid that I was disappointed there permanently.


Perhaps the generation was related to his teaching of the "Seven Sages" (Manuel Gomez Morin, Vicente Lombardo Toledano, Alberto Vazquez del Mercado, Antonio Castro Leal, Alfonso Caso, Theophilus Olea y Leyva and Jesus Moreno Baca), which formed a Society Conference even similar to the Ateneo de la Juventud. Gomez Morin writes:

In the course unforgettable Aesthetic Studies and conferences on Christianity in the People's University, were Saturnino Martínez González and Ramón López Velarde and younger. All brought there by the same impulse.
In those days, Case tilled his work opening windows spiritual master, to impose the supremacy of thought, and with that advance its own vision of art, in tune with the deepest currents of the time, González Martínez recalled the mystic deep sense of life, Herran painted in Mexico, Lopez Velarde sang to a Mexico that we ignored all living in it. (1915)


Later, had as disciples Máynez Eduardo Garcia, Oswaldo Robles, Guillermo Héctor Rodríguez, Francisco and Andrés Henestrosa Larroyo. Said Carlos Monsivais, "As in Mexico, generations have no direct teachers but teachers indirect (direct master Antonio Caso definitely died in Mexico, no one can be moved by attending a class), teaching has shifted to the books and one moves through of them. "For this reason, it is worth transcribing the testimony of one of his students, Concha Álvarez (cited by Krauze):

expectant There was silence. The teacher started talking. The theme of the day was Socrates. Rose before our astonished eyes glittering and sophisticated society of Athens, the city filled with the greatest artwork of all time, the Athenian life away from home, always in the agora, at the gym, in the assembly, on the streets of his beloved Polis. And the passionate political
its spirit, its democracy threatened by greedy ambitions of the legacy of Pericles. Placed in this environment
Socrates. Ugly, flat, bellied, where all men were beautiful. Walked the streets of Athens disturbing the spirits of their fellow citizens, leading questions, "What is good? What is virtue? Is it a science? Can you teach? "
" The Athenians are angry, they felt hurt, confused. The irony of Socrates broke the shell of your life easy, they worried. And Athens began to hate the terrible dialectic. Socrates, indifferent, crossed the public square to exercise their craft perpetual trouble with waking souls and consciences of serious concern. "
And so it went the chair, until the philosopher's death he described as the famous Plato's Apology: "I felt my tears flowed in abundance and covered my face with the mantle to mourn over me. It was not the misfortune of Socrates but mine crying, thinking of the friend who was going to lose. "
finished the class. No one moved from his seat. A silence gathered, excited, followed his last words. It was then past a little excitement, applause broke out.


Later, among his students were several members of Contemporary (Cuesta, Owen, Ramos), but their ideas failed to address the concerns aesthetic and philosophical that generation and therefore, there are several references against him in the work of several of them or outright mockery as the "news" that the case teacher had abducted a woman in Puebla, the student magazine published in San Ev-Ank. Perhaps, Carlos Pellicer is the only poet of that generation who remembered with admiration:

I went once a master case to say that if I allowed that I read some verses, and the poor take long to say yes . Despite that, I grabbed his word and showed up at his home a few days after the scheduled time, at eight o'clock in the evening. I had about three kilos of paper thrown into lose. The teacher I endured an hour and a half. After the hour and a half I wisely kept my leaves and then he, after a pause, he said: "My dear Charles, what harm is that." At six months, giving him value value I approached him again out of a class at the School of Advanced Studies, which was formerly in Licenciado Verdad, where he stayed in the rectory after time Vasconcelos, and said: "Master, I would read a verse." It also took longer than last time. I said yes. I went again with thousands of things too long and said: "Dear Charles, this is worse than that." There was still a third act with the master case and said: "All this is very bad, very bad." The case teacher had a rhetorical culture, could do lines, had a great sense of poetry and was very bad poet, but he could do things, we, know that we call in the office all the arts, he knew very well. In that last time I was giving advice, accompanied me to the door and told him that would go to South America soon ... Anyway, I went to two and a half and after a few months, one day I found the master Antonio Caso in the street I told him: "Master, you dare to meet me?" He said "Yeah, man, of course. What is it? "" By the same. " Nothing, after two days I showed up at his house and then I read six poems. And were otherwise and I read a tiny little thing called "Recuerdos de Iza, a village in the Andes. He looked at me and said, "Well, I expected that sooner or later, you had to come the poet." [...] But what if instead the teacher case had told me: "Man, you Hughie is a Victor ", or anything like that, poor me. No, the three times that I consulted the master case and that he promptly told me "what All that is evil, "because I back in my withdrawal from Colombia and Venezuela remembered with sincere emotion and actually read my papers and saw that this was very bad.


From this stage of his life, this case was the "ethical activism" Rudolf Christoph Eucken German, who took the phrase: "The idea tends to act." Therefore, in his Aesthetics (XI. Arts impure), he justified the action as a driver for action: "The poet is a spectator of life. He was an actor. Poetry means creation and contemplation eloquence work. A speech that does not tend to act is pure declamation inconsistent, unrealistic pure verbiage. To invite us to reform the world, to model it, speak the speakers ... "

Case, university
diversity of political attitudes of members of the University, allowed the group to have a presence in the various schemes of the revolutionary period. Although the approaches of the stick went beyond the academic vision, its scope was to the University and the public. To understand the time and circumstances of case, it should be noted that the University over the decade of the 10 was especially antimaderista and Prohuerta. According Garciadiego, this was due to two causes; on the one hand, Madero tried to direct the University with two successive ministers, one adverse to the university community (Gómez Vázquez), and another outside (José María Pino Suárez), which earned him serious problems with the institution. On the other hand, Huerta, Madero seeing failures, decided that both Public Instruction and the University were directed by distinguished members of the community. It also ensures Garciadiego, Huerta's personal experience "had taught him that progress is achieved mainly through education" and therefore made education a centerpiece of his policy.

During the Madero regime there were three important events in academic life. First, it strengthened the School of Advanced Studies, a comprehensive ambitious Highlands and Ezequiel A. Chavez, who in practice was an institution of cultural diffusion rather than a scientific research "(Garciadiego), which courses through Case and Reyes, a school became operational. Case gave a free course in June 1912 Philosophy and Aesthetics in 1913, which helped cement Studies, a school that went through personal problems and assistance for years. Also in the tree, the movement he created the School opportunistic Libre de Derecho. Several lawyers wealthy began to organize and finance a movement against Luis Cabrera, director of Law, and subsequently started a private institution: "A private higher education was radically opposed to the proposal by Sierra in 1910," said Garciadiego. Free Law School was supported by active and retired teachers of Jurisprudence. Case, along with four other professors, agreed to teach it without giving Jurisprudence. Finally, we must mention the People's University was created in 1912 by the University Council a recommendation to continue the article of the Constitutive Act, which stated that the University should perform work of cultural diffusion. Case, Henríquez Ureña and Reyes began teaching at this institution:

conference activities consist of isolated and guided tours to museums and historical sites, and the lecturers and guides, usually members of the Ateneo, freely choose the subject address or website to visit, with the only restriction that political issues would be prohibited. The objectives were to improve the situation of workers and their families, and the promotion of nationalism through knowledge and culture. (Javier Garciadiego, technical Tough against )


Nemesio Garcia Naranjo, Minister of Education Huerta had greater mobility than their predecessors, enabling it to consolidate the change in curriculum, launched in December 1913, this official Garciadiego writes, "recognized the greatness and importance Barreda had school had, however, argued that after nearly fifty years after High School was founded it was decadent, that had forgotten its rigid curriculum erroneously moral education. " As a result of this reform, High on its agenda Human Studies. Although the author of the reform was García Naranjo, noted that the movement must comply helped undermine the hegemony of positivism, especially through the school of philosophy. Case

antimaderista was not an intellectual, because while he taught at the Free Law worked as legal adviser to the Post Office Department. In addition, Salvador Azuela said that "we know that Vasconcelos, wood, obtained for him the secretariat of the City of Mexico City. The fall of Madero, resigned to pursue teaching. "Nor was fully Huerta was the only voice for university protested the militarization of education in high school saying it was more urgent to schools in barracks to barracks in schools. However, had a default position, that is, fought for giving autonomy to the University and defended academic freedom, but at the same time, their positions "anti" was a way to legitimize the de facto power (except when considered in left the scheme).

Case, the philosopher
With the publication of his first book, Philosophical Problems (1915), Case began organizing his thoughts, even if they never intended to create a system. Part of his work was designed to complement and result of his classes, but several of his books were meetings of newspaper articles. Despite all, Case, amid the controversy with his pupil Samuel Ramos, boasted: "As your Lordship writes newspaper articles, I piled books that I produce thousands of dollars ..." says Rosa Krauze Caso published in newspapers and magazines specialized, such as El Universal (until his death), Excelsior Magazine Magazines and articles on philosophy, art, morals, themes, literary, educational, political, "and yet he knew about music deeply. And with them was forming books ... In other cases, Case was philosophical exegesis, translated and wrote books, also a history and anthology of thought philosophy and two books of poems. "But the book that summarizes his personal thought was the existence of economy, as disinterested and as a charity (1916, reprinted and enlarged in 1919 and 1943).

case, says Rosa Krauze "declined to speculate over any system [...] urged by the need to vent their ideas, usually carried in the form of articles later collected to give some unity [...] Although be possible, how they want the exegetes find a philosophical system in its production, this was not the purpose of the teacher. " Indeed, a number of ideas in his philosophical constant, necessarily systematic, no matter what was his intention or not. With some variations, the following are the central ideas of philosophy expressed Case between 1906 and 1946.

Antonio Caso wrote a long philosophical work in the hope that the ideas are turned into actions and that the development of thought had practical consequences. The momentum of his work gave him the struggle against positivism, which conditioned the historical circumstances, but there were more, because, as Rosa Krauze says, "there was probably deeper reasons"

We dare to suppose that these reasons were rooted in personal religion Antonio Caso. Case
professed Christianity. No figure as the figure of Christ had captivated nobody loved him with greater zeal. "To me, he confessed in one of his interviews, Jesus is the way to solve all problems." But if he loved Jesus, he split with the dogmas of the church.


words, tried to convert to Christianity on the basis of philosophical thinking. The essence of Christianity, without the ideas that were incorporated by Catholicism and Protestantism, in its interpretation, is reduced to two lessons: "Love your neighbor and eternal life." As a follower of Christ, his thinking is part of the objective idealism, believing in the existence of an independent reality of the subject, created by a divine being. But Case distinguishes two forms of idealism. On the one hand, the German developed by Hegel, which is distance. In a speech delivered in August 1917 at the Alliance Francaise, "contemporary French philosophy, German idealism defines:

Germanic For modern philosophers, ideally identical to the real. Hegel was the author of the tremendous transformation of the values \u200b\u200bof the word, to make his famous maxim fraught with dangerous moral and metaphysical corollaries: everything real is rational, every rational is real. It is conceived
then, easily, what the attitude of a people who are convinced that the ideal is immanent in the things of the world. Believe that history itself is doing the gradual triumph of good. Cúmplese that what happens in the service of God, necessary fatally, as linked by their intrinsic logical necessity the premises of a syllogism. Case


idealism takes sides with the French, "less dialectical, less inhumane." For him, the ideals of the French Revolution are "to effective collaboration, social, Christian, man and God. The world is being submissive to the will that makes the ideal. "The man transforms reality and fight against it. From this comes the idea of \u200b\u200bseeing history as the performance of human heroism. And Thomas Carlyle draws the heroic conception of the great men. A classification of the heroes of the English historian, including deities, prophets, poets, priests, scholars and kings, Case adds the philosopher and constantly refers to "philosophical heroism." In 1927, his pupil Samuel Ramos criticize this position bombastic Case that he sees as a disproportionate philosophers, like great mountains and becomes "the historical drama" in "an outward movement with theatrical gestures."

But idealism Case referred to the opposition between spirit and matter, according to his theory as "the physical is characterized by a set of time-space notes, the psychic is spaceless and only occurs over time (and so, following this approach materialism can explain the matter, but not the spirit). In support of this idea, turned to the work of Maine de Biran French, eighteenth-century spiritualist, whose mind is connected with that of Bergson at the beginning of the twentieth century. For Maine de Biran, the only think I did not then exist (cogito ergo sum) but also want (volo ergo sum). Thus, in the act of striving, self knows what is and what he is not same. That I can understand the world but after making it a psychological fact, so "perception" is for Bergson action before knowledge. The reason is not cover anything by itself, says Case, but requires evidence, and it only goes to reason by means of intuition, a form of perception that penetrates the object to be known. That is, contrary to the positivist scientific method that extracts the data carried from object to subject, intuitionism makes the subject enters the object. I thought that intuition is necessary because pure reason can not penetrate the being-in-itself, according to Kant's critique of Aristotle. But knowledge of the phenomenology of Edmund Husserl made Case think again about the problem of the essence. Husserl part of the "thinking self" Cartesian and accept all the experience to perceive and describe. Thanks to the Phenomenology, Case concludes that "things change" but "the essence remained unchanged"

universal objects are always, do not change, do not move, not transformed. An individual is concrete and has a history. Universal objects are not. Are outside any time, however, intuition sees with equal clarity, with their own pristine that provides individual. Husserl [...] states that are simply "The latest data from the intuition." [...] For this reason Husserl himself says, with legitimate pride, true positivism is mine and not the empiricist philosophers "positivism of the essences." ( The existence of economy, such as selflessness and charity )


Positivism constants declared relationships between entities, so that philosophy was only a coordinator of special knowledge. Thus, natural law sees the necessary relation between cause and effect. Case began his criticism of Positivism in two respects. As Rosa Krauze says, "if the knowledge was based on the experience, had to accept 'all experience' without conditions, without limits, without restrictions of any kind. Metaphysics and religion also born of experience. " In addition, Case is a series of unnecessary events. Just as a physical law does not explain a biological phenomenon, the sum of scientific laws do not explain all, no events are not needed or "selfless" love, heroism and art. For Case, the "economic state" is the necessity, as the biological being put its energy to survive and only the surplus power allows you to modify your lifestyle. From this it follows moral and aesthetic thought Case. On the one hand, charity and selfless acts of heroism are based on the moral good is not "scientific" justification. On the other hand, as stated by Juan David Garcia Bacca, Case thought that it must leave the state of economy to move up the state of disinterestedness, aesthetic. Interestingly, mathematics is the thinking of an instrument case to leave the state of economy: "Thanks to the mathematical language, we discover the harmony of the universe." In other words, the idea of \u200b\u200bbeauty comes from, ultimately, a scientific understanding of the universe, seems a way to overcome the Platonic depositing the beauty not in the world of ideas but of science.

Aesthetic Case comes, therefore, the surplus energy that can overcome the "state of the economy." This supplement has a first area in which was developed by combining the playful and artistic abilities, consistent with Schiller said. The art overcomes the moral stage, because art should not be judged by their moral values \u200b\u200bas their purpose is not good, but a "purposiveness without purpose" when speaking of good, useful and pleasant, there is a interest from the perceived phenomenon, but when the audience speaks of "beauty" there is a lack of interest, "An object that satisfies no interest is beautiful." Therefore, art in turn exceeds the utilitarian and moral stage to become a "projection" (Einfühlung), ie the human spirit "projects" in the world, making him the art a way to be objective is human, but at the same time transforms the idea into action. But it is not just to say but to express, not state how it feels but to project feelings.

case, according to Kant, in contrast to the sublime beauty, two concepts in a constant struggle. For one thing, "says the reason his inability to deepen the infinite", meaning that the incommensurability Nature is far from providing serenity to the spirit, the feeling that man has to this disproportion is sublime. The beauty, for its part is held by the spirit as something won, a possession of the spirit. Thus, the sensible (or grasped by the senses) "becomes symbolic of the feeling." From this follows a personal position in case that sees art as a symbol:

When a tree, a willow bends its foliage above the water of a lake, the poet's soul drain itself, becomes one with the languid leaves of the willow, and weep with him over the lake in silence. It has infused, sympathetically, their pain on a tree that bends. If the cypress points to the sky, poetic intuition climbs the ascending branches and makes the tree upright, an episode of infinite yearning. The man comforts her beloved dead in the sign of cypress that points to the sky. That is, he consoles himself. The strength of the sacred tree straight, shows constantly, within consciousness, the region true or fanciful, but very human after all, where nothing is forgotten, because nothing perishes.

This aesthetic thought joins the Symbolist art, but without the tight foundation that gave its founders, like Baudelaire. Finally, art must be the case as personal performance of the work, increasingly limited by "the machine" in modern societies. The cinema, photography and the phonograph are devices serving schemes, ie repeats. Thus, contemporary art, based on mechanization and mass production, would be the expression of "the decline of genuine culture." Case

published two books of poetry, Crisopeya (1931) and Polyptych sea days (1935), as well as his poem dedicated to Juarez. Are two collections of poems written following the conventions of the poetry of Porfirio Diaz. Above all, we observe the influence of Diaz Miron and Othon, their literary tastes (The Poem of the Cid, La Fontaine, Confucius, Dante, The Bible), pictorial (Carducho, Velázquez) and historical (China, Persia, Turkey, Rome, seventeenth-century Spain, eighteenth-century Europe). Closer to the English lyric that French influences, his poems are essentially descriptive sonnets historical and moral issue. Only the younger generation of Barandal magazine, headed by Octavio Paz, made an ironic comment on Crisopeya. However, it is important to consider a case in the poetic corpus of the Ateneo, as though he wrote and published his poems twenty years after bandmates, this aspect of his work reveals certain constants ideas symbolist poetry and talks about the durability of Hispanophile tradition, pastoral and Parnassian, even if marginally. Indeed, Case was unable to appreciate the art post-modernism, in impressionist painting or the music of Debussy, and for this reason, the aesthetic is both a testament to the intellectual concerns since the end of the Porfiriato until mid- twenty.

As can be seen, Case is not only dedicated to overthrowing the positivist thought, but he built a philosophy based on spiritualism and intuitionism, which served as a basis for necessary educational reform during the period of Huerta. Do not think like Octavio Paz, in The Labyrinth of Solitude : "Case and his comrades destroy the unofficial philosophy of the regime but on the other hand, their ideas offer a new national reform project. Intellectual position would be little connection with the aspirations of the people and the tasks of the hour. "Tales" chores of the time "would be attempts to undermine the positivist ideology focused on the phrase" order and progress ", which focused on the intellectual youth of Mexico City, so make sure you can not have been outside a social interest. In addition, should be added that in his philosophy classes raised, by 1915, the need to find the proper Mexican, so he should be considered the initiator of the Philosophy of the Mexican who subsequently developed Samuel Ramos, Emilio Uranga, Leopoldo Zea and himself Peace. Adapted the term bovarysme case, originally used by Jules de Gaultier to explain those who "are designed differently than you are." In case the thought of the "national bovarysme" attempts to explain the Mexican as a people who deny what is and is determined to assert what is not. Hence, the "imitation extralogical" of Mexico, which is so unnecessary foreign models and unnecessary. Both terms, in political thought Case, are obstacles to achieving national unity, seen by him as a "cultural homogeneity" carried out by the "race triumph" in the conquest, ie Spain. "Antonio Caso" writes Monica Gonzalez-Chavez recognized the native to be capable of being civilized through education spreading Western values, for history, for your region. This was to teach the Castilian language, Catholic religion and the form of private property. "For the construction of a national project, Case saw the need for intellectual elite to write, and produce disciples formed theory. To that he devoted his efforts after the Ateneo was dismembered with the departure of Mexico Henríquez Ureña and Reyes. Since 1915, Case said to have been "completely alone." However, was that his best time as a teacher because, as indicated by Enrique Krauze, became the guide of the few liberal arts teachers that had the University and to the old positivist, convinced of the falsity of the ideas that had Comptian professed, he gave his lectures. It was at the same time, director of the National Preparatory School and professor of ethics, psychology, logic and philosophical issues; Studies in Philosophy and the Normal School for Girls, and Sociology in the School of Jurisprudence. Later, he was Rector of the University for short periods from 7 to 11 May 1921 and December 12, 1921 to August 28, 1923. He defended the idea of \u200b\u200bthe autonomy of the university as professor and as an officer, in 1917, he attended the Chamber of Deputies to ask for the autonomy of the university, next to his brother Alfonso, Antonio Castro Leal, Manuel Gómez Morin, Vincent Lombardo Toledo and Alberto Vázquez del Mercado, among others.

From 1921, when he delivered his inaugural address to the Academia Mexicana (I discuss briefly the Ode to music by Fray Luis de León), began to receive awards, honors and awards. That same year he was sent to Peru as an official Ambassador of Mexico to the first anniversary of the Independence of that country, which offered a series of lectures. He also visited Chile, Argentina and Brazil. In December 1924 he returned to Peru to participate in the commemoration of the centenary of the Battle of Ayacucho and traveled to Cuba. Among the awards he receives, may be mentioned, according to the dictionary lists of writers, their appointment as Professor Emeritus at the UNAM, Director Emeritus of the Faculty of Arts, member of the International Institute Sociology of Paris, Honorary Member of the Academy of History of Buenos Aires, the University of Santiago de Chile, the Lima Geographical Society, National Society of Lawyers of Mexico and the Society of Geography and Statistics of Mexico. Member of the Hispano-American Academy of Cadiz, corresponding member of the Academies of History of Colombia, of Arts of Havana and the Society of Geography and History of Costa Rica. Founding member of the Mexican Academy of Jurisprudence and Legislation, president of the National Conservatory of Music and Declamation, Chairman of the Mexico Women's University and a founding member of The National College, where he lectured his later years. Interestingly, Case was not part of the House of Spain in Mexico (then College of Mexico), possibly because of difficulties with the arrival of English intellectuals in 1939. While at a meeting of National College, Antonio Caso asked permission to go out and try some things. Did not return, he died in a hotel a few blocks away in the arms of a prostitute. "Our death illuminates our life," wrote Octavio Paz. Perhaps the manner of Nietzsche, Case tried to erase the personal experience of his philosophical work and just tried writing your intellectual experience. But the last moment of his life reveals a intimate life was not evident in his work, but Case does an unknown, hidden by the theatrical gestures that many of his contemporaries were so hollow.

Case, the polemicist
Juan Hernandez Luna lists held by twelve controversial case between 1911 and 1937. With Agustin Aragon had discussed the problem of the founding of the university in 1911, and the theory of the history of Romanian philosopher Xenopol in 1922. That same year, Francisco Bulnes debated about the "future of Latin America", with Manuel Puga y Acal, in 1924, the empire of Maximilian, with Alfonso Junco, in 1936, discussed the problem "The existence of God" and finally, his former student William Hector Rodriguez discussed the relevance of neo-Kantianism, in 1937. All of them were far-reaching discussion recently on matters more or less circumstantial. However, among the highlights particularly controversial case which he argued with his former student Samuel Ramos (1927) and a series of exchanges with Francisco Zamora, Vicente Lombardo Toledano and Eduardo Pallares on the ideological orientation of the University, materialism and Marxism ( 1933 and 1935).

In the first two issues of the journal Ulises (May-June 1927), edited by Xavier Villaurrutia and Salvador Novo, the young philosopher Samuel Ramos issued a critical assessment of the work and teaching Case. Ramos's interest in writing about case was to take stock of the man who represented a point of departure in the philosophy of the twentieth century. In his essay, basically accusing him of lack of argument in his work, loss of "the ability to renew, to ignore everything that has been thought after Bergson, Croce, and James Boutroux and leaving half The study of these philosophers. But fundamentally, it complained "advocate for the intuition in a country where it takes the discipline of intelligence." Ramos writes that "the essence of pragmatism, current placing in the Case," is demonstrate that the thinking faculty is at the service of pure truth but vital human needs. "Curiously, Case answered in terms not pragmatic when he says that does not advocate the philosophical ideas" taking into account the needs of the country "," This I do not care, or ultimately matters to me. What interests me is thinking. "

The importance of this controversy in the case is thought of it makes its removal of pragmatism, which had enabled him to distance himself from positivism. But after publishing his Sociology (1927), began its distance from pragmatism. According to Rosa Krauze: "We built within new trends, Case went to the staff, following the line of ideas that had targeted in his youth. His study was divided into two parts: the personalism and existentialism and personalism from the point of view. "This last period of his thinking is influenced by historical events (WWII) and philosophical (existentialism, Heidegger ) they put in the center of metaphysical thought of death and anguish. Case practically completed before his death left a text with reflections on these issues, entitled "Death and being." While acknowledging the genius of Heidegger, does not accept the conclusions reached it makes no reference to the afterlife, which considers that the German philosopher strips the meaning of human existence. And even more, asks: "Does the birth does not mean a mystery for man?" Birth, not death "involves the true mystery of man, the secret of existence, the foundation of philosophical existentialism oriented principle and not towards the end "(El Universal, March 3, 1944). "He who aspires to reach eternal must, all human life gravitates toward a center outside of man because man himself is not a goal, and our destiny is to remain for fueled the desire for perfection consubstantial." Case vs

. Lombardo
But this approach is only part of Case's position, as yet formulated his idea of \u200b\u200bpersonalism. It states that "human person" is the highest category of existence. However, the individual should not be subordinated to the community, or vice versa; axiologically, both must be subordinated to culture: "Culture as an order of the individual, society implies, and the end of society implies the individual." As for claiming that Marxism is a religion ("Marxism-Leninism, as every religion implies a particular dogma and myth, a set of cultural practices, a set of agencies expected to comply with the acts of the new religion and ethics derived from the concept of dogma, "Rosa Krauze p. 350), states that the individual should have the right to private property as long as does not exceed what is strictly necessary. Case is a Democrat who believes that this political system should be just a means to culture. But ultimately, the end of man is God, not society; only a pact with "Christian truth" that companies will find the satisfaction of man.

If on one hand, the argument with Ramos marks the last period of his philosophical thought, the debate about the ideological orientation University faces case with materialism, which always repudiated thought.
In 1929, a group of law students who formed a movement to apply to be included in the University Council. After negotiations failed, President Emilio Portes Gil have accused the movement of interest secret, so he proceeded to close the School of Law. The students began a strike that threatened to get bigger, until suddenly Portes Gil made a proposal for university autonomy, as they were coming elections in which the government had to compete with the movement Vasconcelos. This was a measure intended to win support students, even if autonomy was granted against the student requests, since the new Organic Law provided that the President would be elected by the University Council from a list proposed by the President, and not vice versa. Furthermore, the President could veto decisions taken by the Governing Council and was required to file an annual report to Congress and the Secretary of Education. Although the student movement known as the Generation of 29, and its most prominent leader, Alejandro Gomez Arias, became the symbol of autonomy, Imanol Ordorika that its members almost never came to occupy places in the University Council. Rather, it was the group of Seven Sages, organized around Antonio Caso, who had more control over university policy.

Later, in September 1933 took place in Mexico the First Congress of University of Mexico, a national assembly of rectors, professors and student representatives from 21 states attended as guests, President Abelardo L. Rodriguez, Public Education Secretary Narciso Bassols and the diplomatic corps. Antonio Caso was appointed honorary member, while Vicente Lombardo Toledano was representative of the UNAM and chairman of the commission to study the issue of "ideological orientation of the university." The document drafted by the committee argued that Mexican universities "contribute, through the guidance of their chairs and the services of its faculty and research facilities in the strictly scientific, the replacement of the capitalist system by a system socialize the instruments and means of economic production. " Worth quoting the main ideas of the document being opposed case. The conclusions adopted by the assembly raised finish high school courses with "teaching philosophy based on nature, history teaching" as an evolution of social institutions, giving preference to the economic factor as a factor in modern society and ethics, as an assessment of life that point as a standard for individual behavior, the constant effort led to the advent of a classless society based on the economic and cultural similar for all men. " It also argued that the universities contribute to the knowledge "of the economic resources of our territory, [...] of the biological and psychological characteristics of our population and the study of our system of government." It also proposed the need to provide financially for life "elements of qualities of emergency "so they can engage students from his time as" peacefully and enthusiasm ", to scientific research. And finally, provided that the graduates of universities should provide a mandatory service and paid for a year at the site considered necessary by the degree granting institution.

document should be noted that the commission was just an assembly agreement to be brought before the University Council to have any value. At points of the document, Case saw-even if not explicitly mentioned, "the influence of" historical materialism " so in his speech at the assembly, was against the University adopt a "creed" of philosophy and to oppose academic freedom. While Caso Lombardo and discussed specific positions on the teaching of History, Ethics and Philosophy, in their speeches highlighted the theme of the social role of the university. Case

think the university is a community of culture and that culture is the creation of values. So that its main activities are research and teaching, that is, the university achieved new knowledge, correcting earlier and transmitted. But Case said that culture is an objective, and contests Lombardo this point:

Culture is a mere instrument of man is therefore not an end in itself. And as I say the culture in and of itself does not exist, also affirm that abstract humanity, that the good in the abstract, no, because there is no value in the abstract. [...] Each system has historically had a special culture. Why? Because culture is just that, opinions, expressions of collective judgments. [...] No historical regime that has not been in service a way of thinking about life, a series of trials dealing, first, to persevere, to make the maintenance of the institutions that characterize this historical scheme.


So Lombardo organize your speech against academic freedom by considering false:

The nineteenth century created the capitalist system is a historic step in the evolution of all peoples, a stage that has formed a capitalist pedagogy. There has been, therefore, such neutrality. Academic freedom has served merely to guide the student toward a political purpose, in relation to the characteristics of the bourgeois state. That is reality. The State has not been neutral to the contentions of the workers, but all of it, through its organs, has served only one class, class capitalist and teaching in State schools was not just a vehicle to sustain in the consciousness of men the regime that has prevailed. There has been such academic freedom. We had, as always, an education to serve the regime.


should be noted that neither Case nor Lombardo consider the university as a space for discussion, but who see the student as an actor more or less passive in lessons, an individual who goes to school "to form its opinion." In addition, Case has a concept of academic freedom curious, to say the least, as shown in a text written in 1940, in which he outlined his idea of \u200b\u200bthe university of New Spain: Compare

[...] the higher spirit, free, honest, educated, doctors Bucareli contemporary university and Gamarra, with the absurd dogma of historical materialism as intangible University. Remember those pious individuals, defraying in favor of freedom of thought, and modern materialism Marxist lackeys attempting to stifle freedom under the domination of a ridiculous argument and discussed and discredited.
what thoughts as a comment so indispensable to serious opposition? ... We say that Mexico is shown, with respect to culture, under which New Spain developed. We will say that it seems The centuries have passed in vain, that thought has been stiff and unnatural, because it was not worth the pain of so many revolutions in favor of political freedom, intellectual and social, to come to rest in the denial of this sacred duty holy, without which all others are unnecessary: \u200b\u200bthe freedom of thought and teaching!


Moreover, you need to see this controversy as the expression of a larger confrontation between the regime and the university. As stated Imanol Ordorika:

This confrontation was, after all, the synthesis of two opposing views regarding the social role of higher education, reflecting the struggle between the social commitment that required for solving practical problems of development and believe that the only responsibility of the University lay in acquiring and providing knowledge in an abstract sense.


After both interventions, the assembly voted to Lombardo by 22 votes to 9 for Case, though the latter had threatened to end his speech: "We do collectivism or we leave the classroom. Rector of National University: if this passes, the case teacher ceases to belong to the university. I protest it wholeheartedly, with all my soul. "Once Congress was closed, students Catholics led by Manuel Gomez Morin and Rodulfo Brito Foucher, writes Lombardo,

counting on strong support from the press, the Catholic Church and the communist elements in Mexico called these points have been collected many times, went from words to deeds. They took over the building of the rectory of the University by force. The government sat back and let him do. The Rector Medellín locked himself in his house and the highest learning institution in Mexico, fell into the hands of the supporters of philosophical irrationalism.


Student Federation led by Catholics, "spurred by Brito, raided the offices of the confederation, took the furniture, set fire to the file and marched through the streets of Argentina, Justo Sierra, El Carmen and San Ildefonso shouting Death to Medellin, Lombardo, a Marxist university, government and Antonio Caso alive and academic freedom. " Lombardo and his staff left their offices, expelled by the conservatives who were in charge of the university, at the same time, Case resigned from their posts until the recent misconduct persists. The University Council agreed to the removal of Brito Foucher, director of law, after accusing him of the chaos of the University as well as having caused the mass resignation of teachers, using the school address for their personal ends and serving faith groups. In response, law students went on strike and took the Rectory, supporting Brito, but Case intervened "by inviting the strikers to leave office [...] and fight for real reform of the university." But after several meetings, the strike became general and students in Humanities and case law supported, causing the heads of all faculties resign en masse.

But the debate continued in the newspapers. On one side of El Universal and Excelsior Case spoke in favor of the second called Marxism 'philosophy pigs "and Lombardo" Lenin neighborhood yard. " And for Case, ethics
Marxist
the Jewish longing is that primary, giving his hand to everything low, dropped everything, to all that is petty and large, to exalt it to the top where the air can only hope the optimates pure intelligence and will [...] But it is more, the same way that the Social Contract, Rousseau, ceased to matter once the French Revolution, Marx's Capital, and not of the interest had when he led the Russian Revolution. We are "beyond Marxism." Now, socialism is combined throughout with a strong nationalist movement. Our Revolution has a unique profile, and should lead to an energetic government, broad social sense, in social nationalism. This is what he has done in Italy Mussolini, what today is intended to make Hitler in Germany.


is said that in 1933 the Nazis "had not yet showed its true face," however, these ideas remained the case until his recent book, Aristotle's Evocation , 1946. Hernandez Luna, Case fan, with its very particular view, shows that the University, to oppose the implementation of socialist education, tended ties to educational institutions most conservative province: Soon

that discussion would have to charge a national significance. Lombardo's thesis was extending his hands red with the National Revolutionary Party and the House of Representatives and Senate, until he was captured a year later, the socialist reform of Article 3 of the Constitution. The thesis of Case rooted in the consciousness of both teachers and students, who raised at the National Autonomous University of Mexico and most of the provincial universities and a massive high wall of freedom of teaching and scientific research. Thanks to this gate of university education could withstand the onslaught of socialist education and stay out of the scope of the text of Article 3 of the Constitution.

University in the hands of Catholics was a controversial case for the government, so he decided to grant full independence. Medellin had waived the rectory and the Preparatory Lombardo. In view of the election of a new rector, the Catholic press is unanimously proposed a case, but the Constitutional Assembly Gomez Morin appointed as Acting Rector, thus ending the strike. Soon after, in October, President Rodriguez and Bassols launched a proposal to grant full autonomy to the university. Congress passed the Act that deprived the title of "National since it was not committed to state projects. This law became the University Council the ultimate authority and responsibility to appoint the chancellor and university authorities. Gómez Morin was ratified rector, now the University Council, and began a policy of "blatantly clerical" (Hernández Luna) who opened the door to the Jesuits and frankly fascist thinkers like Francis Guiza y Acevedo. If on one hand, autonomy was granted by the government to economically strangle the University in the hands of Catholics, on the other hand, Gómez Morin would like to transform the institution into a parallel Department of Education, so began model "schools built." Hence its relationship with the Autonomous University of Guadalajara, Mexico's first private university (founded 1935). "They appear the 'rabbits' and 'the Tecos' groups from the French College of Morelos and the Universidad Autonoma de Guadalajara, organizations run by Jesuits shock who remain in the shadows" (Hernández Luna) and ancestors of the WALL and the current secret organization, El Yunque.

But the controversy over Marxism continued in the newspapers, faced with Caso Lombardo Toledano and Francisco Zamora, professor of economics, over 1935. Zamora, an outstanding debater, held a series of exchanges in the newspapers in which case led to the theoretical basis of his disagreement with the historical materialism: "the feeling is not reducible to the movement" aimed at showing that materialism is unable to explain the mind, why this did not happen in time and space, but only in time. Zamora cites the work of experimental psychology of his time to respond to Case:

Anyone who opens a compendium of scientific psychology, even if not the most modern, and the James, for example, find: first, that sensations are described as centripetal currents contributed to the brain by nerves called afferent, second, that these flows, as well as centrifugal efferent nerves are recognized, not figuratively but real, as discharges of nerve cells, so that James compares the output of a stream of this kind with the explosion of a firearm, third, that the speed of these flows has been measured from Helmholtz and fourth, that will be studied as a complex set of movements.
In other words, even though psychology until recently followed a path that has given rise to bargain was the character of natural science and even of true science, as Pavlov says, "affirms connections between mental activity and nervous system. And so it has been reduced to ordinary sensations of nervous energy, or to move.


Case, however, was unyielding, then the separation of the spiritual and the material was the center of his thinking over forty years. As Zamora sees this position as "the expression of a feeling, a mystical belief," and he complains that his fantasies case of religious origin is unable to interpret certain aspects of cosmic reality. Zamora and Lombardo are well distant from Case position, as are the thinkers that separates the Mexican socialist thinking of romantic and idealistic notions of their predecessors. In the speech case, however, faith speaks in the name of science, ideology represents the positions of the middle class "reflects the aspirations of the petty bourgeoisie, oscillating between the capitalist and the proletarian class, seeks objective reality beyond the point of support that it is not. " Zamora reached by different means to the same conclusion as Rosa Krauze, its chief scholar, "Mr. Case spiritualism piling their roots in the unconscious in its consciousness. It is a product not of reason but of their sense of class. Has the value of a belief, more than a scientific conviction. Can not and should therefore be discussed. " Should not be overlooked that the Ateneo de la Juventud ran for education and the Mexican reality a series of abstract human values \u200b\u200band spirituality, whose derivations, productive and harmful, should not be overlooked the thought of Antonio Caso.