With a rubber check lost the style, gloves
enough to hang a whistle.
But rumors that I was not a sellout, I crowned
now, I'm blessed.
When you're on the mat, no one is with you,
six feet under is just forgotten.
Jaime Lopez, "Knock"
A. Aphorisms for discussion in Twitter-from solipsism, with Aleks Syntek
I. Does the vacuum (the letter of Jaime Lopez) is able to fill the void (Calderon speech)?
II. Enter the mystique of the celebration is repeated, without analysis, the verses of Jaime Lopez.
III. And analyze the handwriting is automatically out of the discussion (or cancel your Twitter account.)
IV. The historical debate at the time of PAN has been expanded dramatically to reach 140 characters.
V. Historical Amnesia: almost no one remembers when Francisco González Bocanegra abandoned Twitter for criticisms received their stanzas devoted to Santa Anna and Iturbide.
VI. As the past is so limited, it is best to celebrate the future, it is also ancient.
VII. If Mexicans sing a thousand times "Shalalalalalá" holding hands, patriotic spirit shown by the horizon (Calderón dixit).
B. I sang only the exquisite score by Aleks Syntek, with lyrics by Jaime López
From the beginning it was known that the main problem of the Bicentennial would be the lack of content, as the PAN is the enemy positions movements must honor. Neither the sovereignty and independence, and social justice are issues that concern you get, much less celebrate. Hence, political causes have been ignored, in hopes that no remember them "to devote to celebrate a birthday. And repeats and repeats the message: it's your birthday, 1810 is the date of birth of all the stereotypes of nationality. Although our reasons of national pride were born much later, as the mariachi, the national anthem, flag, machismo, the inferiority complex ...
I imagine that as a birthday present, Secretary of Education announced the song ancient The future is composed of Aleks Syntek and Jaime Lopez. The adverse comments certainly plenty left in the unrest to the musical taste of the authorities. Critics, as usual, have been talking to themselves. Authorities have made loud The future is ancient and not have left without closing the door, then, have denied that this song is the official anthem of the celebrations. The next step is to deny that someone has requested. May end up being an example of "spontaneous generation of patriotism." Alonso Lujambio
partygoers in the mood for their commitment to future generations. But no personal interest, as is clear from their statements. The SEP has invited several artists to collaborate in the festivities, made in any way objectionable, since the State, on the other hand, has that obligation. This is not the place to criticize the National Anthem Santana nor murals commissioned by the PRI. So there is no censorship because Syntek and Lopez have made a song for the Bicentennial Calderon. I imagine that there is still an article that guarantees freedom of expression (and the authors stand behind their work), and not into verse the official ideology. Preferably not mention Zapata or Villa, as ugly rhyme (rope, buckle) and unedifying. Before leaving Twitter for a while, shared some thoughts Aleks Syntek (as has been articulated about the celebrations):
"I tell them that as a child my father took me to hear orchestral music composers Mexican extraordinary, Revueltas, Galindo, and my favorite Huízar Moncayo. So I decided to opt for the huapango as the main influence on this subject but with a little touch to be updated.
"What Shalalala why? (Sic) just because we needed a generic, this matter will be heard in many countries that are English speaking. The shalala is universal and is very typical of Mexican folk music themes."
Yes, "Shalala" is the leitmotif of Mexican music (now comes to mind Shalala, singing to kill a snake , Silvestre Revueltas) and anyone who has received privileged musical education immediately notice the symphonic tradition of the future is ancient. But beyond the petty remarks against a work that seeks only to celebrate (in this context, "party" is to evade the historical significance of the Bicentennial), should be just what remains a blind spot: the most important is that nobody will notice that the main interest of the government machinery-suitor is "honors the Independence and the Revolution just because they are defeated. If not, we would have run as far as possible, away from the demands were unfurled two hundred and one hundred years. " In
Calderon would face this sense, and the profound historian Lujambio Villalpando. The surface is not frivolous, is a thick layer that obscures the reality: for frivolity means the interest of the cabinet take relaxation to not listen to the voices that continue to call for justice and defend the sovereignty, words are not even invited to the banquet - it went on the banquet (Rosario Castellanos).
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